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"Michael would take us on location and see how the colors worked in the forests and fields."
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"The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it."
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Personal Development
"Knowing how to paint and to use one's colors rightly has not any connection with originality. This originality consists in properly expressing your own impressions."
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Personal Development
"Michael would take us on location and see how the colors worked in the forests and fields."
Author Name
Personal Development
"Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure. I had great satisfaction in doing that."
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Personal Development
"Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter."
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Personal Development
"Novel writing should never be confused with journalism. Unfortunately, in the case of Primary Colors, a fair number of journalists confused."
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Personal Development
"Some colors are very difficult to render, and you must compensate to get the color you want on the screen."
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Personal Development
"Thank you for allowing me to use colors as rich and deep as you please. I had always wanted to do so, yet was never allowed because of the color capabilities of our lithographers. Now that I have done it, I don't think I'll ever go back."
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Personal Development
"Many a dangerous temptation comes to us in fine gay colors that are but skin-deep."
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Personal Development
"The colors I use may clash or vibrate against one another but this is done intentionally."
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Personal Development
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"Michael would take us on location and see how the colors worked in the forests and fields."
Colors
"I genuinely liked all of the cast members very much. Steve had a wicked sense of humor. I remember Russell coming to my rescue, once. I watched Eric evolve before everyone's eyes. Maurice loved what he did, so. He treated his character with respect, down to the costuming."
Humor
"The scene was attempted a second time, up on top of the fort, and cameras didn't even roll. Michael, though he wasn't admitting it, wasn't sure how to shoot the scene."
Time
"Working on the accent helped, enormously. I will tell you that when I brought Michael a correct "British" accent, one that my dialect coach was happy with, he hated it."
Coach
"The weather was turning cold and I remember that Dante was using nothing but natural light as his electric department was away, prepping the scene in the cave. We stayed on that rock for the whole day."
Day
"Because of the tension and difficulty, I remember trying to do the silliest things when we weren't rolling cameras, anything to lift the spirits. But once on set, it was important to have full concentration."
Difficulty
"He also didn't like a lock of my hair and said that he couldn't get into the moment without the hair being just right. I quietly knew that he was anxious and that the hairdo wasn't the real issue. But we all let it go and came back to the scene sometime later."
Being
"Yes, the marriage proposal was shot. Michael excluded the dialogue from the final edit."
Marriage
"I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I was fully ready to support it, that Michael's work was wonderful and I imagined that Daniel would feel the same. He listened quietly and read between the lines."
Work
"I'm reticent to say much more, but we would like to begin in the coming year. We'd like to shoot through the seasons because of the passage of time. This project is the great love of my life."
Life
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