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Madeleine Stowe

"Michael would take us on location and see how the colors worked in the forests and fields."

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"Michael would take us on location and see how the colors worked in the forests and fields."

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Amber Hurdle

"Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure. I had great satisfaction in doing that."

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Amber Hurdle

"It's ok to show all your colors."

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Amber Hurdle

"Novel writing should never be confused with journalism. Unfortunately, in the case of Primary Colors, a fair number of journalists confused."

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Amber Hurdle

"Many a dangerous temptation comes to us in fine gay colors that are but skin-deep."

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Amber Hurdle

"Any ground subtracts its own hue from the colors which it carries and therefore influences."

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Amber Hurdle

"My Panasonic typewriter can make graphs. It types in four different colors."

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Amber Hurdle

"You look rather rash my dear your colors don't quite match your face."

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Amber Hurdle

"Knowing how to paint and to use one's colors rightly has not any connection with originality. This originality consists in properly expressing your own impressions."

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Amber Hurdle

"The colors I use may clash or vibrate against one another but this is done intentionally."

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Amber Hurdle

"The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it."

Explore more quotes by Madeleine Stowe

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Madeleine Stowe
"As we were leaving the Huron camp, it was awkward filming. I think that the Huron watching us was there to create tension - maybe we wouldn't get out. Nothing complicated."
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Madeleine Stowe
"Michael is a funny character, for whom I have a great deal of affection. He sat across his desk and seemed to be a bit of a blunt fellow. We began talking about the characters and he opened up about his vision."
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Madeleine Stowe
"Saving Milly was a break from this effort because I felt that it was time to be part of something that could shed light on a disease everyone feels they know, when most know so little."
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Madeleine Stowe
"Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively."
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Madeleine Stowe
"For the first two weeks of filming, I remember bristling at some of the occurrences on the set, none of which directly involved me. Then I surrendered to the environment, to Michael's method, and became much happier, even though no one knew what to expect."
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Madeleine Stowe
"It was treacherous. I think someone was injured. But I did love being there, we all did."
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Madeleine Stowe
"I remember nearly having a fit of the giggles during the reading because dear Daniel was SO respectful and serious and I was finding the whole situation funny because I was speaking to his profile."
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Madeleine Stowe
"The scene was attempted a second time, up on top of the fort, and cameras didn't even roll. Michael, though he wasn't admitting it, wasn't sure how to shoot the scene."
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Madeleine Stowe
"I've never returned to the locations. I do remember certain days more clearly than others and certain locations with a sense of nostalgia. Perhaps one day, I'll bring my daughter to see them, if she's interested."
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Madeleine Stowe
"It was exactly what was released two months later with the exception of a couple of reaction shots which we went back in to get. I liked the movie very much and asked him what the studio's problem was. I felt that he was at a point where they might have worn him down."
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