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Madeleine Stowe

"Michael would take us on location and see how the colors worked in the forests and fields."

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"Michael would take us on location and see how the colors worked in the forests and fields."

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"It's really easy to get colors right. It's really hard to get black - and neutrals - right. Black is certainly a color but it's also an illusion."

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"Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter."

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"I am just learning to notice the different colors of the stars, and already begin to have a new enjoyment."

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"And as he spoke of understanding, I looked up and saw the rainbow leap with flames of many colors over me."

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"Any ground subtracts its own hue from the colors which it carries and therefore influences."

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"Knowing how to paint and to use one's colors rightly has not any connection with originality. This originality consists in properly expressing your own impressions."

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"The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it."

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Amber Hurdle

"Vocations which we wanted to pursue, but didn't, bleed, like colors, on the whole of our existence."

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Explore more quotes by Madeleine Stowe

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Madeleine Stowe
"The scene was attempted a second time, up on top of the fort, and cameras didn't even roll. Michael, though he wasn't admitting it, wasn't sure how to shoot the scene."
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Madeleine Stowe
"I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I was fully ready to support it, that Michael's work was wonderful and I imagined that Daniel would feel the same. He listened quietly and read between the lines."
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Madeleine Stowe
"Part of Michael's uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration."
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Madeleine Stowe
"I remember nearly having a fit of the giggles during the reading because dear Daniel was SO respectful and serious and I was finding the whole situation funny because I was speaking to his profile."
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Madeleine Stowe
"Saving Milly was a break from this effort because I felt that it was time to be part of something that could shed light on a disease everyone feels they know, when most know so little."
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Madeleine Stowe
"He also didn't like a lock of my hair and said that he couldn't get into the moment without the hair being just right. I quietly knew that he was anxious and that the hairdo wasn't the real issue. But we all let it go and came back to the scene sometime later."
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Madeleine Stowe
"As we were leaving the Huron camp, it was awkward filming. I think that the Huron watching us was there to create tension - maybe we wouldn't get out. Nothing complicated."
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Madeleine Stowe
"Working on the accent helped, enormously. I will tell you that when I brought Michael a correct "British" accent, one that my dialect coach was happy with, he hated it."
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Madeleine Stowe
"Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively."
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Madeleine Stowe
"Michael is a funny character, for whom I have a great deal of affection. He sat across his desk and seemed to be a bit of a blunt fellow. We began talking about the characters and he opened up about his vision."
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