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Madeleine Stowe

"Michael would take us on location and see how the colors worked in the forests and fields."

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"Michael would take us on location and see how the colors worked in the forests and fields."

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"But what is of great importance to me is observation of the movement of colors."

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"My characters have undergone the same process of simplification as the colors. Now that they have been simplified, they appear more human and alive than if they had been represented in all their details."

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"There are infinite shadings of light and shadows and colors... it's an extraordinarily subtle language. Figuring out how to speak that language is a lifetime job."

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"Vocations which we wanted to pursue, but didn't, bleed, like colors, on the whole of our existence."

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"And as he spoke of understanding, I looked up and saw the rainbow leap with flames of many colors over me."

Explore more quotes by Madeleine Stowe

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Madeleine Stowe
"I remember feeling that Michael was extremely sensitive when it came to that moment. Most directors are and they usually rely, at least in my experience, on the actress to take over. And Michael is a gentleman."
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Madeleine Stowe
"I'm reticent to say much more, but we would like to begin in the coming year. We'd like to shoot through the seasons because of the passage of time. This project is the great love of my life."
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Madeleine Stowe
"My driver Kellie Frost and I would race these fellows home and they were always faster on the highway. We did the same with Daniel and his driver, and thus began a long series of jokes and competitions to alleviate the impossible hours and tensions this film provoked."
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Madeleine Stowe
"I remember nearly having a fit of the giggles during the reading because dear Daniel was SO respectful and serious and I was finding the whole situation funny because I was speaking to his profile."
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Madeleine Stowe
"The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced to me, and I knew right away that, in spite of what others were saying, it was dead wrong."
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Madeleine Stowe
"The weather was turning cold and I remember that Dante was using nothing but natural light as his electric department was away, prepping the scene in the cave. We stayed on that rock for the whole day."
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Madeleine Stowe
"Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively."
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Madeleine Stowe
"Working on the accent helped, enormously. I will tell you that when I brought Michael a correct "British" accent, one that my dialect coach was happy with, he hated it."
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Madeleine Stowe
"Saving Milly was a break from this effort because I felt that it was time to be part of something that could shed light on a disease everyone feels they know, when most know so little."
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Madeleine Stowe
"Part of Michael's uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration."
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