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"Michael would take us on location and see how the colors worked in the forests and fields."
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"I loved downers, almost any kind. Loved the colors of them. Loved them yellow... I did. I would just have a bouquet in my hands at night."

"Many a dangerous temptation comes to us in fine gay colors that are but skin-deep."

"But what is of great importance to me is observation of the movement of colors."

"Novel writing should never be confused with journalism. Unfortunately, in the case of Primary Colors, a fair number of journalists confused."

"The colors I use may clash or vibrate against one another but this is done intentionally."

"Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure. I had great satisfaction in doing that."

"Vocations which we wanted to pursue, but didn't, bleed, like colors, on the whole of our existence."

"And as he spoke of understanding, I looked up and saw the rainbow leap with flames of many colors over me."
Explore more quotes by Madeleine Stowe

"I remember feeling that Michael was extremely sensitive when it came to that moment. Most directors are and they usually rely, at least in my experience, on the actress to take over. And Michael is a gentleman."

"I'm reticent to say much more, but we would like to begin in the coming year. We'd like to shoot through the seasons because of the passage of time. This project is the great love of my life."

"My driver Kellie Frost and I would race these fellows home and they were always faster on the highway. We did the same with Daniel and his driver, and thus began a long series of jokes and competitions to alleviate the impossible hours and tensions this film provoked."

"I remember nearly having a fit of the giggles during the reading because dear Daniel was SO respectful and serious and I was finding the whole situation funny because I was speaking to his profile."

"The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced to me, and I knew right away that, in spite of what others were saying, it was dead wrong."

"The weather was turning cold and I remember that Dante was using nothing but natural light as his electric department was away, prepping the scene in the cave. We stayed on that rock for the whole day."

"Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively."

"Working on the accent helped, enormously. I will tell you that when I brought Michael a correct "British" accent, one that my dialect coach was happy with, he hated it."

"Saving Milly was a break from this effort because I felt that it was time to be part of something that could shed light on a disease everyone feels they know, when most know so little."

"Part of Michael's uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration."
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