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"We give you this story. It is for the audience to be moved and gut wrenched, not us. It isn't as if we don't go through those real feeling and it isn't as if I don't cry three or four times a night. I usually do."
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"You can't plan for feelings. You have to accept that. Let it scare you. Trust that it'll be okay anyway."
Author Name
Personal Development
"Feelings are the language of the heart. Everything else is static noise."
Author Name
Personal Development
"I shall suggest, on the contrary, that all communication relies, to a noticeable extent on evoking knowledge that we cannot tell, and that all our knowledge of mental processes, like feelings or conscious intellectual activities, is based on a knowledge which we cannot tell."
Author Name
Personal Development
"I was a master at keeping my feelings in."
Author Name
Personal Development
"The average, healthy, well-adjusted adult gets up at seven-thirty in the morning feeling just plain terrible."
Author Name
Personal Development
"My feelings about myself have been terrible."
Author Name
Personal Development
"I probably listen to Burn more than any of them, because it was so new me, so novel. To see my name on an actual record was such an incredible feeling."
Author Name
Personal Development
"I have the same feeling when I walk in a very beautiful place that I have when I play and it goes right."
Author Name
Personal Development
"Little moments can have a feeling and a texture that is very real."
Author Name
Personal Development
"Why should I be feeling tension? It's The Daily Show."
Author Name
Personal Development
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"The play is one of the very few pieces of great dramatic and comic writing that I have read in a long, long time. I was drawn to it because of the power of the writing, which gives me the actor a chance to explore many facets of myself."
Power
"So I majored in Drama, did all the plays that were possible to do, skated through school in order to be in every production on stage or backstage in whatever capacity and I came to New York looking for work in the summers."
Work
"I'd forget the piece just before I went out to do the concerto, the panic was too great. This was not anything that gave me pleasure. This was fulfilling somebody else's dream."
Dream
"Once you have the pattern of life of this person, the choreography, so to speak, you have the canvas that you present eight times a week, not without feeling underneath it, but it's not as churning as the discovery process was."
Life
"We give you this story. It is for the audience to be moved and gut wrenched, not us. It isn't as if we don't go through those real feeling and it isn't as if I don't cry three or four times a night. I usually do."
Feelings
"We do a lot of shows for young people who have probably never been to the theater before and they are learning about the Holocaust, which unhappily, many of them do not know about."
People
"I didn't want to do anything my mother wanted me to do so surely I wasn't going to sing for her."
Mother
"The story about me, apocryphal or not, is that I could sing before I spoke. My parents went into bedroom one day and there I was standing in the crib singing God Bless America."
God
"It was always acting, singing and dancing that I loved."
Acting
"Making a film of a work you've played for six weeks gives you intimate knowledge of the character. By the time you go in front of the camera you've worked out the behavior and life of a character."
Life
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