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"Many, many composers have only found their way to a certain form, through familiarizing themselves with texts."
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"Pianists call me a composer, composers call me a pianist. The classicists think me a futurist, and the futurists call me a reactionary."

"Well, let me, first of all, say, that as a microtonal composer, I've never been much of a theorist."

"Physicists are more like avant-garde composers, willing to bend traditional rules... Mathematicians are more like classical composers."

"I've heard though that there is a younger generation of tonal French composers who are reacting with vigour."

"I was not influenced by composers as much as by natural objects and physical phenomena."

"Composers shouldn't think too much - it interferes with their plagiarism."

"I loved Hendrix. I mean, really, really loved him. As if he were one of the great classical composers. And he was. That's how I saw him."
Explore more quotes by Dietrich Fischer Dieskau

"If you only do little clusters - three or four songs by one, and another, and then yet another - you lose the opportunity to think your way into the composer's mind, since, after all, most of these pieces are quite brief."

"And what unity is to be had, at a time when orchestras are dying out, and when opera houses are about to close their doors; what's going to come next - when nothing new in music, for the orchestra, is truly lasting: pieces are performed once, and then they're thrown away."

"When you go out onto the stage, all the preparation has to be forced into your subconscious. For the moment of the performance, we all have to return to a new level of unconsciousness. All the reflection and all the doubts have to be laid aside before you start."

"The composition of a single melody is born out of a bit of text, perhaps the first line, but it can also be the entire strophe; it can even be the poem's overall form."

"In Romanticism, the main determinant is the mood, the atmosphere. And in that regard, you could also describe Schubert as a Romantic."

"You can't do opera when already from the 10th row you can only see little dolls on the stage. In such an enormous space you can't put much faith in the personal presence of the individual singer, which is reflected in facial expressions, among other things."

"It's not all that different with the orchestra. There are orchestras that seem to be encased in dough, so that first you have to break through the normal routine, and clear out the openings."
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