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"Farewells can be shattering, but returns are surely worse. Solid flesh can never live up to the bright shadow cast by its absence. Time and distance blur the edges; then suddenly the beloved has arrived, and it's noon with its merciless light, and every spot and pore and wrinkle and bristle stands clear."
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"The love of a half dead heart will keep you half alive."
"Like many people, I feel like celebrating. Remember this feeling. It is human, and can help us understand when others express bloodlust."
"Ready am I to go, and my eagerness with sails full set awaits the wind.Only another breath will I breathe in this still air, only another loving look cast backward."
"And then something invisible snapped insider her, and that which had come together commenced to fall apart."
Explore more quotes by Margaret Atwood
"For me the experience of writing is really an experience of losing control. I think it's very much like dreaming or like surfing. You go out there and wait for a wave, and when it comes it takes you somewhere and you don't know where it'll go."
"How did the war creep up? How did it gather itself together? What was it made from? What secrets, lies, betrayals? What loves and hatreds? What sums of money, what metals?"
"Neither of us says the word love, not once. It would be tempting fate; it would be romance, bad luck."
"Her face is silting up, like a pond; layers are accumulating. Every once in a while, when she can afford the time, she spends a few days at a spa north of the city, drinking vegetable juice and having ultrasound treatments, in search of her original face, the one she knows is under there somewhere; she comes back feeling toned up and virtuous, and hungry."
"What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be."
"Like preachers, I sell vision,like perfume ads, desireor its facsimile. Like jokesor war, it's all in the timing.I sell men back their worse suspicions:that everything's for sale."
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