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Chiaki Kuriyama

"Obviously, a skirt does present certain problems that I had to be aware of. But when it came to the shoot and we were rolling, I didn't really pay it any attention. It wasn't too bad."

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"Obviously, a skirt does present certain problems that I had to be aware of. But when it came to the shoot and we were rolling, I didn't really pay it any attention. It wasn't too bad."

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Assegid Habtewold

"The person whose attention is in the 'pure Soul' is known as a renowned person. No one in the past had been celebrated as a famous person, they were called renowned persons. To be famous is the result of an 'above normal' state."

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Assegid Habtewold

"Everybody-even monsters-needed a little attention once in a while."

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Assegid Habtewold

"You don't care for anybody... you just do it for attention, isn't it true?"

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Assegid Habtewold

"When you are "off somewhere else" people notice. Have you found yourself in conversations in which you're so concerned about what you are going to say next, that you don't even hear what the other person is saying? Guilty as charged, right?"

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Assegid Habtewold

"The writer should never be ashamed of staring. There is nothing that does not require his attention."

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Assegid Habtewold

"I need attention?No...I need victim....!"

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Assegid Habtewold

"Very often the law of extremity demands an attention to irrelevance."

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Assegid Habtewold

"Seeing yourself in print is such an amazing concept: you can get so much attention without having to actually show up somewhere... You don't have to dress up, for instance, and you can't hear them boo you right away."

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Assegid Habtewold

"N order to capture someone's attention, you must allow them to have the mental and emotional space to let you in."

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Assegid Habtewold

"Better ignore it than halfheartedly listen!"

Explore more quotes by Chiaki Kuriyama

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Chiaki Kuriyama
"I loved playing Go Go, because the character's so extreme. And she's pretty close to my real character. Especially the fact that she liked her sword with a lot of accessories."
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Chiaki Kuriyama
"Julie Dryfus and I were both afraid of heights and in one scene, I had to be quite high up and I was rather terrified, but Julie was very kind, encouraging me and we got through that together."
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Chiaki Kuriyama
"I didn't understand the American fascination with the Japanese schoolgirl. No, I don't think I can, really."
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Chiaki Kuriyama
"I think the biggest difficulty is that when I'm here in America, there's a necessity of using English, so I really have a great sense of really wanting to learn, but unfortunately when I head back to Japan, the necessity vanishes and so does my enthusiasm about learning."
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Chiaki Kuriyama
"I think probably like seeing women fight because we're generally not thought to be strong, especially in the case of this movie."
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Chiaki Kuriyama
"Without going into too much detail, the end of my major action scene, after the climax of the scene, there was one little change that I suggested regarding the way things should turn out. It was in the detail of the tears of blood."
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Chiaki Kuriyama
"It was pretty much the way that it was when I first read it, although one exception would be that some ideas that I had were also incorporated into the script."
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Chiaki Kuriyama
"My character is somebody who is smaller in stature and yet who's strong, so to see the fighting situations between people who are not generally thought of being strong is in itself unusual and therefore interesting, I think."
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Chiaki Kuriyama
"A movie of mine is going to be released in Japan next year. I play a waitress who's a really regular girl in this movie. The English title isn't decided yet, but in Japanese it's I'll Get on the A Train Sometime."
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Chiaki Kuriyama
"I certainly look at them very differently now, and enjoy Jackie Chan movies and movies like that."
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