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Cab Calloway

"It's very difficult to photograph an opera. And they messed up on it. It just wasn't there. And I don't blame the Gershwins for taking it away. Of course, if they had gotten the original company to have done it, it would have been very good."

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"It's very difficult to photograph an opera. And they messed up on it. It just wasn't there. And I don't blame the Gershwins for taking it away. Of course, if they had gotten the original company to have done it, it would have been very good."

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Amber Hurdle

"Let us not seek the Republican answer or the Democratic answer, but the right answer. Let us not seek to fix the blame for the past. Let us accept our own responsibility for the future."

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Amber Hurdle

"Better reality than a dream: if something is real, then it's real and you're not to blame."

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Amber Hurdle

"Living alone makes it harder to find someone to blame."

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Amber Hurdle

"I wish I could blame it on the choreography, but it's not a musical. I just had a clumsy moment."

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Amber Hurdle

"Washington, D.C., has a much greater risk than Manchester, N.H. They both need some level of funding, but they ought not to be done per capita. Congress is to blame for some of this."

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Amber Hurdle

"I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame."

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Amber Hurdle

"Not to be cheered by praise, not to be grieved by blame, but to know thoroughly one's own virtues or powers are the characteristics of an excellent man."

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Amber Hurdle

"What to do? We yanked the dress up over her lovely attributes and with the addition of a scarf, the problem was solved. Sorry, guys, blame that stuffy censor. He hated surprises."

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Amber Hurdle

"In short, Luck's always to blame."

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Amber Hurdle

"They always lost but he didn't blame me because to a gambler, a bad tip is better than no tip at all."

Explore more quotes by Cab Calloway

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Cab Calloway
"90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness."
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"I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were."
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"You don't think it was because a white man wrote it, a black man wrote it, a green man wrote it. What - doesn't make a difference! Doesn't make a difference. I think he did a good job."
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"Bubbles was a very good dancer. Tremendous dancer. He was one of our leading dancers of the country at that time. And, of course, he didn't have much of a voice."
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"Everybody did something. It was very entertaining. We had a lot of fun. Lot of fun. And there was no segregation, that I could see. I never saw any."
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"The only credit I can give them. They synchronize wonderful. That's all. They synchronize very - you would have thought that they were actually acting, but they were synching all the time, and that's a rough job."
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"Everybody that you could name would join in our audiences from, Laguardia on down. Everybody came. Everybody came to the Cotton Club."
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"My audience was my life. What I did and how I did it, was all for my audience."
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"We didn't have any segregation at the Cotton Club. No. The Cotton Club was wide open, it was free."
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"What opera isn't violent? Two things happen, violence and love. And other than that, name something else. You can't."
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