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Cab Calloway

"It's very difficult to photograph an opera. And they messed up on it. It just wasn't there. And I don't blame the Gershwins for taking it away. Of course, if they had gotten the original company to have done it, it would have been very good."

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"It's very difficult to photograph an opera. And they messed up on it. It just wasn't there. And I don't blame the Gershwins for taking it away. Of course, if they had gotten the original company to have done it, it would have been very good."

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"That wasn't any act of God. That was an act of pure human fuckery."

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"It is more difficult to praise rightly than to blame."

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"Let us not seek the Republican answer or the Democratic answer, but the right answer. Let us not seek to fix the blame for the past. Let us accept our own responsibility for the future."

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"A lot of comedians, when they have a bad gig, will blame everything but themselves. They'll blame the crowd, or the room was wrong, it had a weird vibe, or the promoter promoted a weird atmosphere."

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"If bad things are happening in your country, remember, the first responsible person is your stupid government! But if you have supported that government, now, you are the first responsible person! So sit down and shut up!"

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"Better reality than a dream: if something is real, then it's real and you're not to blame."

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"I blame myself more so because I hung a curve. If you want to point a finger, point it at me."

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"There is luxury in self-reproach. When we blame ourselves, we feel no one else has a right to blame us."

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"Neither praise or blame is the object of true criticism. Justly to discriminate, firmly to establish, wisely to prescribe, and honestly to award. These are the true aims and duties of criticism."

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"In short, Luck's always to blame."

Explore more quotes by Cab Calloway

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Cab Calloway
"A movie and a stage show are two entirely different things. A picture, you can do anything you want. Change it, cut out a scene, put in a scene, take a scene out. They don't do that on stage."
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"Bubbles was a very good dancer. Tremendous dancer. He was one of our leading dancers of the country at that time. And, of course, he didn't have much of a voice."
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"We didn't have any segregation at the Cotton Club. No. The Cotton Club was wide open, it was free."
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"Everybody did something. It was very entertaining. We had a lot of fun. Lot of fun. And there was no segregation, that I could see. I never saw any."
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"What opera isn't violent? Two things happen, violence and love. And other than that, name something else. You can't."
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"You don't think it was because a white man wrote it, a black man wrote it, a green man wrote it. What - doesn't make a difference! Doesn't make a difference. I think he did a good job."
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"Everybody that you could name would join in our audiences from, Laguardia on down. Everybody came. Everybody came to the Cotton Club."
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"I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were."
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"My audience was my life. What I did and how I did it, was all for my audience."
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"The only credit I can give them. They synchronize wonderful. That's all. They synchronize very - you would have thought that they were actually acting, but they were synching all the time, and that's a rough job."
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