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Ken Burns

"I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again and there's a certain musical virtuosity involved in it."

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"I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again and there's a certain musical virtuosity involved in it."

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Amber Hurdle

"I'm half Jewish, I'm half black, I look in-between. I dress funny. I play all these different styles of music on one record. It's like, What is he doing?"

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Amber Hurdle

"I think I first realized I wanted to be in country music and be an artist when I was 10. And I started dragging my parents to festivals, and fairs, and karaoke contests, and I did that for about a year before I came to Nashville for the first time. I was 11 and I had this demo CD of me singing Dixie Chicks and Leanne Rimes songs."

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Amber Hurdle

"Music when healthy, is the teacher of perfect order, and when depraved, the teacher of perfect disorder."

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Amber Hurdle

"When I first came to Nashville, people hardly gave country music any respect. We lived in old cars and dirty hotels, and we ate when we could."

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Amber Hurdle

"When there's music in your soul, there's soul in your music."

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Amber Hurdle

"It is one thing to record an album but it's a huge difference when people play it and listen to it and embrace it the way that I do. It has always been my dream to get my music out to the world and have people hear it."

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Amber Hurdle

"What is my definition of jazz? 'Safe sex of the highest order."

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Amber Hurdle

"What kind of songs do you like? she asked."The ones that remind me of you," I said."

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Amber Hurdle

"Whether you listen to a piece of music, or a poem, or look at a picture or a jug, or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own."

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Amber Hurdle

"I usually think in terms of music."

Explore more quotes by Ken Burns

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Ken Burns
"I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films."
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Ken Burns
"In a sense I've made the same film over and over again. In all of them I've asked, 'Who are we as Americans?"
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Ken Burns
"Wynton told us that Miles sold out, just wanted to make more money, just wanted to sell more records. I don't believe that Miles sold out but I'm not in a position to say."
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Ken Burns
"We're having a hard time understanding where jazz is going. What happened to jazz?"
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Ken Burns
"The stories from 1975 on are not finished and there is no resolve. I could spend 50 hours on the last 25 years of jazz and still not do it justice."
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Ken Burns
"A jazz beat is a dynamic changing rhythm."
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Ken Burns
"Louis Armstrong is quite simply the most important person in American music. He is to 20th century music (I did not say jazz) what Einstein is to physics."
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Ken Burns
"I think my expectations for myself are much more severe and much more direct. You can't work on a film for six years without being your own toughest critic. So you can't really be distracted by the expectations based on your previous performance."
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Ken Burns
"I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault."
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Ken Burns
"Like a layer on a pearl, you can't specifically identify the irritant, the moment of the irritant, but at the end of the day, you know you have a pearl."
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