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Charlie Hunter

"Anyone playing with you is going to change where your direction is."

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"Anyone playing with you is going to change where your direction is."

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Amber Hurdle

"No one on earth is "functionless". The problem we usually have is that functions of people are being displayed in the wrong positions! Change position!"

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Amber Hurdle

"By taking systematic actions and by focusing on beauty, for sure we can change our society."

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Amber Hurdle

"Just change your attitude and perception to change your life."

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Amber Hurdle

"If you are unhappy with your life and the state of the world, the best place to start changing things is within yourself."

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Amber Hurdle

"All things that we ordained festival,Turn from their office to black funeral;Our instruments to melancholy bells,Our wedding cheer to a sad burial feast,Our solemn hymns to sullen dirges change,Our bridal flowers serve for a buried corse,And all things change them to the contrary."

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Amber Hurdle

"If you want to change anything or your surroundings, change your perception; it will change everything."

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Amber Hurdle

"Life moves forward, not backward, and it would be wise to listen to what change has to say."

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Amber Hurdle

"Let us revolt against the nightmare, and work together for a kinder world."

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Amber Hurdle

"Life is ever changing. We are ever transforming."

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Amber Hurdle

"I thought, possibly, that what I really needed was to go where nobody knew me and start over again, with none of my previous decisions, conversations, or expectations coming with me."

Explore more quotes by Charlie Hunter

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Charlie Hunter
"If we really wanted to be cool, and everyone in the world had Pro Tools, we could just put it up on the internet and everyone could make their own record out of it."
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Charlie Hunter
"So it's really hard for a horn player to comp. But I'm totally into trying to switch those paradigms around and find a little magic space where that works, and try to mine that."
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Charlie Hunter
"Yeah, well, it did earlier - but as Bobby and I have played together, our thing as a unit has become so strong that they kind of had to get in where they fit in. And most people do."
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Charlie Hunter
"I mean, in the course of an evening, people will take a solo here and there, but generally it's all about the rhythm of that music. Dealing with the rhythm with everything. That's essentially at least my concept of what that group is."
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Charlie Hunter
"That's the exact concept behind the music: to take that kind of, I guess whatever you want to call it, jazz sensibility - but not have it be about solos."
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Charlie Hunter
"The market didn't define the music; the music defined the market."
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Charlie Hunter
"That's the thing that we said about the horn before: it's a focus issue. It's like a singer versus a drummer. If a drummer's playing a drum beat, and a singer starts singing, what do you think the audience is going to do?"
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Charlie Hunter
"And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with the smallest unit."
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Charlie Hunter
"Ultimately, at the end of it, it's just trying to get into that space where you feel like you're hitting the right thing and you're making music. And it feels intuitive rather than being counterintuitive."
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Charlie Hunter
"But I've come to the point in my evolution on the instrument where I realize that I can't play the same stuff that just a guitar player or organ player would play - and I need to embrace that in a big way."
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