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Jim Coleman

"In scoring, I usually start with a sound or group of sounds, searching out what feels right."

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"In scoring, I usually start with a sound or group of sounds, searching out what feels right."

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Akiroq Brost

"It's so hard to know what to do when one wishes earnestly to do right."

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Akiroq Brost

"Even though you are on the right track - you will get run over if you just sit there."

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Akiroq Brost

"Well, I'm still looking for Maurice Ashley. My essential qualities. I think that more than anything, I try to do the right thing, I think about doing the right thing."

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Akiroq Brost

"I don't believe in right-angled turning points."

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Akiroq Brost

"I grew up in the segregated South, right here in Lynchburg, Virginia."

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Akiroq Brost

"We were young, we were foolish, we were arrogant, but we were right."

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Akiroq Brost

"You look at Gone With the Wind, how right Vivian Leigh was for that. Don't know if that would happen today."

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Akiroq Brost

"To do a great right do a little wrong."

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Akiroq Brost

"If the theory turns out to be right, that will be tremendously thick and tasty icing on the cake."

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Akiroq Brost

"No, it's a Bb. It looks wrong and it sounds wrong, but it's right."

Explore more quotes by Jim Coleman

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Jim Coleman
"If the finest hour is now, then I'll always be in it."
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Jim Coleman
"When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way."
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Jim Coleman
"With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood."
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Jim Coleman
"But in my college years it got to the point where my friends and I didn't do anything without consuming a massive amount of alcohol before we went anywhere or did anything, and you know that."
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Jim Coleman
"Then I took 8 years of French Horn, first jazz, and then classical."
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Jim Coleman
"I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth."
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Jim Coleman
"I do remember being in high school and trying to go to an Outlaws concert, but I was too drunk and ended up in trouble with the police at some truck stop on 95 in Connecticut."
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Jim Coleman
"I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson, it's no longer a secret."
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Jim Coleman
"And I think that I'd be a natural for scoring horror movies."
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Jim Coleman
"I've had a lot of highs in my life and a lot of lows, some pivotal experiences, and in ways I feel like I've already lived a couple of lives."
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