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Rod Steiger

"Now that was one thing, but from an actor's point of view, this poor young man, crying from the moment I opened the door to the moment he left. Now if an actor did that they would say he's over-acting."

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"Now that was one thing, but from an actor's point of view, this poor young man, crying from the moment I opened the door to the moment he left. Now if an actor did that they would say he's over-acting."

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Asa Don Brown

"Once you've gotten the job, there's nothing to it. If you're an actor, you're an actor. Doing it is not the hard part. The hard part is getting to do it."

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Asa Don Brown

"I think I am a much better actor than I have allowed myself to be."

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Asa Don Brown

"It's very difficult for me to speak about being an actor."

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Asa Don Brown

"Being a film actor is very different from a theatre actor."

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Asa Don Brown

"A lot of actors don't like to see how they've done every day."

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Asa Don Brown

"Being an actor means being an instrument for someone else. I want to give myself completely."

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Asa Don Brown

"I want to keep doing different things. I'd like to do a more personal, dramatic movie next, I think. But as long as it's about characters and good writing and good parts for actors, that's what's important."

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Asa Don Brown

"I view the whole thing as a collaboration. As an actor, I always found that to be the most freeing thing, when the director would collaborate with you, so that together you'd come up with something exponentially better."

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Asa Don Brown

"My college training was primarily in theatre, with an eye to becoming a director, actor, or producer."

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Asa Don Brown

"If you're going to be that kind of actor and go way out there, it's really important to take care of yourself and have a safe place, whatever that is."

Explore more quotes by Rod Steiger

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Rod Steiger
"I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that."
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Rod Steiger
"I had read the novel and I had heard David Lean was going to direct it - and it came as a surprise to me because American actors, if given the chance, can do style as well as anybody and speak as well as anybody."
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Rod Steiger
"I found out was, by the rhythm of my chewing, how I chewed fast, slow or what have you, I could tell the audience what my character was thinking and feeling."
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Rod Steiger
"'The Mark' I played a psychiatrist. And in the '50's everybody went to a psychiatrist because if you didn't, you'd have nothing to talk about at cocktail parties."
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Rod Steiger
"And I'm supposed to grab her and kiss her and she's supposed to react. Well, what happened was, Julie was very nervous at that time, given this incredible part which she did beautifully."
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Rod Steiger
"Well, one of the problems of working on a story with a character that sacred in the religions of the world or in a picture about that person, is that you have to forget about that and play it as real as you can because you can't look at yourself and judge yourself."
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Rod Steiger
"I didn't ever think of it as a social thing at the time. I took it as a good story. Maybe because I've always been kind of progressive so I never thought of it, you know."
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Rod Steiger
"I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear."
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Rod Steiger
"I said 'well, I'll kiss her twice, you see? We'll come around, I'll kiss her, and if you put a little more track down for the camera, then I'll put my tongue down her throat and you'll get what you want'. He said 'You think so?'"
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Rod Steiger
"He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then."
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