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Patrice Leconte, a French director, is known for his contributions to cinema, particularly in blending humor and drama with deep human insight. Films like The Hairdresser's Husband and Man on the Train showcase his mastery in portraying complex emotions and relationships. Leconte's work challenges audiences to appreciate the subtle beauty of everyday life, highlighting the importance of both the ordinary and extraordinary in the human experience. His legacy encourages filmmakers and storytellers to create narratives that capture the depth of human emotions while maintaining an accessible and engaging tone.
"Working with the same people is so much quicker and frees up your energy for other things."
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"Working with the same people is so much quicker and frees up your energy for other things."

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"Married people from my generation are like an endangered species!"
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"Married people from my generation are like an endangered species!"

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"You may think it's very presumptuous, but I really hope that my movies are going to turn people into better people."
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"You may think it's very presumptuous, but I really hope that my movies are going to turn people into better people."

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"I never storyboard. I hate it. I don't understand why so many directors want to make comic strips of their films."
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"I never storyboard. I hate it. I don't understand why so many directors want to make comic strips of their films."

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"I've always done 20 things at once. It's my way of staying alive, not to keep one dish cooking, but several dishes going. And I'm pretty organized."
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"I've always done 20 things at once. It's my way of staying alive, not to keep one dish cooking, but several dishes going. And I'm pretty organized."

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"You can work, shop, do everything from home, and I find this unsettling."
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"You can work, shop, do everything from home, and I find this unsettling."

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"Working with a bunch of actors is like trying to tune each violin."
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"Working with a bunch of actors is like trying to tune each violin."

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"I like cinema. I am very fond of it. But from time to time I feel like having some time on my own."
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"I like cinema. I am very fond of it. But from time to time I feel like having some time on my own."

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"No, but it's not because I'm getting older that I'm trying to accelerate. But something very curious is happening: The older I get, the more ideas I'm getting."
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"No, but it's not because I'm getting older that I'm trying to accelerate. But something very curious is happening: The older I get, the more ideas I'm getting."

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"My movies are, more or less, very short. I'm terrified of boring an audience."
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"My movies are, more or less, very short. I'm terrified of boring an audience."

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"When I was young, my idea was to become a filmmaker."
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"When I was young, my idea was to become a filmmaker."

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"I'm not one to dwell on rehearsal or preparation."
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"I'm not one to dwell on rehearsal or preparation."

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"If a film is very clever and well-written, that's what gives you freedom as a director."
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"If a film is very clever and well-written, that's what gives you freedom as a director."

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"But I won't work with the exact same crew film after film because I feel the work would get a little complacent."
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"But I won't work with the exact same crew film after film because I feel the work would get a little complacent."

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"What I expect of a movie reviewer is that he should love cinema as much as I do."
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"What I expect of a movie reviewer is that he should love cinema as much as I do."

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