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Ronald Harwood

"I mean he's a very famous director... they're not going to put their... and he's very tough, he doesn't like interference at all, so he kept them at bay."

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"I mean he's a very famous director... they're not going to put their... and he's very tough, he doesn't like interference at all, so he kept them at bay."

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Amber Hurdle

"Famous, adj.: Conspicuously miserable."

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Amber Hurdle

"Wood burns because it has the proper stuff in it; and a man becomes famous because he has the proper stuff in him."

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Amber Hurdle

"Quentin is very organic; there was no way that he was going to put someone else's hand in there and anyway, my hands are kind of famous. It seemed right."

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Amber Hurdle

"Few if any teenagers can relate to getting up for school and finding famous comics like Pryor and Williams hanging out in your living room after a hard night of partying. But that's Hollywood."

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Amber Hurdle

"They were all famous and fantastic fellows."

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Amber Hurdle

"I actually don't feel famous."

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Amber Hurdle

"Our top story tonight: Famous TV dolphin flipper was arrested today on prostitution ring charges. He allegedly was seen transporting two 16 year olds across state line for immoral porpoises."

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Amber Hurdle

"When I was going for my graduate degree, I decided I was going to make a feature film as my thesis. That's what I was famous for-that I had my thesis film be a feature film, which was 'You're a Big Boy Now.'"

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Amber Hurdle

"If you look closely, there is no book more visual than Three Trapped Tigers, in that it is filled with blank pages, dark pages, it has stars made of words, the famous magical cube made of numbers, and there is even a page which is a mirror."

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Amber Hurdle

"If I wanted to be famous, I could have been famous before."

Explore more quotes by Ronald Harwood

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Ronald Harwood
"He's very concealed, Polanski. We became very close friends, but I don't think I ever saw him drop his guard. I didn't see him upset or anything like that, we just did the work."
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Ronald Harwood
"It's a terrific... you can't put it down. So I phoned him back and I said I'd love to do it. I went over to Paris for a meeting, and we just talked very generally about the approach."
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Ronald Harwood
"Well we took it apart scene by scene. We examined every sentence, every full stop, every comma. He has a most wonderful eye for detail, Roman, and you know, he's a very good artist."
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Ronald Harwood
"No, I can't write treatments, I think there's a danger with treatments. That you... you write out your first excitement and enthusiasm in a prose treatment."
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Ronald Harwood
"I mean he's a very famous director... they're not going to put their... and he's very tough, he doesn't like interference at all, so he kept them at bay."
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