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"There are so many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and proasic with the poison of life."
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Exlpore more Imagination quotes
"The way that a handful of corporations in Los Angeles dictate how our stories are told creates a real poverty of imagination and it's a big problem."
"I need you, the reader, to imagine us, for we don't really exist if you don't."
"Dream extravagantly, for God has imbued us with ample imagination to dream out to and across the very periphery of the impossible."
"I found myself speaking softly as if I were telling an old tale to a young child. And giving it a happy ending, when all know that tales never end, and the happy ending is but a moment to catch one's breath before the next disaster. But I didn't want to think about that. I didn't want to wonder what would happen next."
"It faintly irritated him that Zaphod had to impose some ludicrous fantasy on to the scene to make it work for him. All this Margrathea nonsense seemed juvenile. Isn't it enough to see that a garden is beautiful without having to believe that there are fairies at the bottom of it too?"
"It is always imagined before it is lived. In the world of thought, imaginations are lives, but people kill them before they grow to have life!"
"It is impossible to see the angel unless you first have a notion of it."
"When you are very rational, you may not be able to dream or live in a fairy tale."
"Now and then we had a hope that if we lived and were good, God would permit us to be pirates."
"One thinks of nothing,' he continued; 'the hours slip by. Motionless we traverse countries we fancy we see, and your thought, blinding with the fiction, playing with the details, follows the outline of the adventures. It mingles with the characters, and it seems as if it were yourself palpitating beneath their costumes."
Explore more quotes by H. P. Lovecraft
"As I shivered and brooded on the casting of that brain-blasting shadow, I knew that I had at last pried out one of earth's supreme horors-one of those nameless blights of outer voids whose faint demon scratchings we sometimes hear on the farthest rim of space, yet from which our own finite vision has given us a merciful immunity."
"It is said that in Ulthar, which lies beyond the river Skai, no man may kill a cat; and this I can verily believe as I gaze upon him who sitteth purring before the fire. For the cat is cryptic, and close to strange things which men cannot see. He is the soul of antique Aegyptus, and bearer of tales from forgotten cities in Meroë and Ophir. He is the kin of the jungle's lords, and heir to the secrets of hoary and sinister Africa. The Sphinx is his cousin, and he speaks her language; but he is more ancient than the Sphinx, and remembers that which she hath forgotten."
"An isolated person requires correspondence as a means of seeing his ideas as others see them, and thus guarding against the dogmatisms and extravagances of solitary and uncorrected speculation. No man can learn to reason and appraise from a mere perusal of the writing of others. If he live not in the world, where he can observe the public at first hand and be directed toward solid reality by the force of conversation and spoken debate, then he must sharpen his discrimination and regulate his perceptive balance by an equivalent exchange of ideas in epistolary form."
"The dog appeals to cheap and facile emotions; the cat to the deepest founts of imagination and cosmic perception in the human mind. It is no accident that the contemplative Egyptians, together with such later poetic spirits as Poe, Gautier, Baudelaire, and Swinburne, were all sincere worshippers of the supple grimalkin."
"Only a cynic can create horror--for behind every masterpiece of the sort must reside a driving demonic force that despises the human race and its illusions, and longs to pull them to pieces and mock them."
"Nothing is really typical of my efforts... I'm simply casting about for better ways to crystallise and capture certain strong impressions (involving the elements of time, the unknown, cause and effect, fear, scenic and architectural beauty, and other seemingly ill-assorted things) which persist in clamouring for expression."
"It's hard to have done all one's growing up since 33 - but that's a damn sight better than not growing up at all."
"Perhaps I should not hope to convey in mere words the unutterable hideousness that can dwell in absolute silence and barren immensity."
"Heaven knows where I'll end up - but it's a safe bet that I'll never be at the top of anything! Nor do I particularly care to be."
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