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"All stories are true, Skarpi said. "But this one really happened, if that's what you mean. He took another slow drink, then smiled again, his bright eyes dancing. "More or less. You have to be a bit of a liar to tell a story the right way. Too much truth confuses the facts. Too much honesty makes you sound insincere."
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"The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong."
Author Name
Personal Development
"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."
Author Name
Personal Development
"The things you were talking about. The lights and the flowers. Do they expect those things to make them romantic, not the other way around? "Darling, what do you mean? "There wasn't a person there who enjoyed it," she said, her voice lifeless, "or who thought or felt anything at all. They moved about, and they said the same dull things they say anywhere. I suppose they thought the lights would make it brilliant."Darling, you take everything too seriously. One is not supposed to be intellectual at a ball. One is simply supposed to be gay." How? By being stupid?"
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Personal Development
"A prose that is altogether alive demands something of the reader that the ordinary novel reader is not prepared to give."
Author Name
Personal Development
"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."
Author Name
Personal Development
"Real life, life finally uncovered and clarified, the only life in consequence lived to the full, is literature. Life in this sense dwells within all ordinary people as much as the artist. But they do not see it because they are not trying to shed light on it."
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Personal Development
"There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be."
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Personal Development
"You forget everything. The hours slip by. You travel in your chair through centuries you seem seem to see before you, your thoughts are caught up in the story, dallying with the details or following the course of the plot, you enter into characters, so that it seems as if it were your own heart beating beneath their costumes."
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Personal Development
"The irrational in the human has something about it altogether repulsive and terrible, as we see in the maniac, the miser, the drunkard or the ape."
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Personal Development
"I want the difficult stories, the ones that aren't easy to believe, the twisted ones, the sorrowful ones, the ones that need telling most of all."
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"Using words to talk of words is like using a pencil to draw a picture of itself, on itself. Impossible. Confusing. Frustrating ... but there are other ways to understanding."
Communication
"You, I said, "are sweet music in a distant room."
Love
"If you fall, you fall," Elodin shrugged. "Sometimes falling teaches us things too." In dreams you often fall before you wake."
Inspirational
""There can be many opinions on a thing, but there is only one truth."Vashet smiled lazily. "And if the pursuit of the truth was my goal, that would concern me." She gave a long yawn, stretching like a happy cat. "Instead I will focus on the joy in my heart.""
Philosophy
"My father referred to it as "the finest song ever written for fifteen fingers." He made me play it when I was getting too full of myself and felt I needed humbling. Suffice to say I practice it with fair regularity, sometimes more than once a day."
Art
"What I personally knew about courting women could comfortably fit into a thimble without taking it off your finger first."
Relationship
"It's not over if you're still here, Chronicler said. "It's not a tragedy if you're still alive."
Survival
"Anything you say at this point cannot be trusted. You know I am well and truly angry, so you are in the grip of fear. This means I cannot trust any word you say, as it comes from fear. You are clever, and charming, and a liar. I know you can bend the world with your words. So I will not listen."
Trust
"Money I could hardly think of it. "Go on, take it."
Ethics
"If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be."
Storytelling
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