Virginia Woolf, a British author, is considered one of the most influential writers of the 20th century. Known for her groundbreaking works such as Mrs. Dalloway and To the Lighthouse, Woolf explored complex themes of identity, mental illness, and the human experience. Her innovative narrative techniques and exploration of women's lives and voices continue to inspire writers and readers worldwide. Woolf's legacy encourages writers to experiment with form and content, to be unafraid to delve into personal and societal complexities, and to speak to the truths of their time.
"The battered woman-for she wore a skirt-with her right hand exposed, her left clutching at her side, stood singing of love-love which has lasted a million years, she sang, love which prevails, and millions of years ago, her lover, who had been dead these centuries, had walked, she crooned, with her in May; but in the course of ages, long as summer days, and flaming, she remembered, with nothing but red asters, he had gone; death's enormous sickle had swept those tremendous hills, and when at last she laid her hoary and immensely aged head on the earth, now become a mere cinder of ice, she implored the Gods to lay by her side a bunch of purple heather, there on her high burial place which the last rays of the last sun caressed; for then the pageant of the universe would be over."
"He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out."
"For while directly we say that it [the length of human life] is ages long, we are reminded that it is briefer than the fall of a rose leaf to the ground."
"And there he would lie all day long on the lawn brooding presumably over his poetry, till he reminded one of a cat watching birds, when he had found the word, and her husband said, "Poor old Augustus-he's a true poet," which was high praise from her husband."
"A fine gentleman like that, they said, had no need of books. Let him leave books, they said, to the palsied or the dying. But worse was to come. For once the disease of reading has laid hold upon the system it weakens it so that it falls an easy prey to that other scourge which dwells in the ink pot and festers in the quill. The wretch takes to writing."
"They disagreed always about this, but it did not matter. She liked him to believe in scholarships, and he liked her to be proud of Andrew whatever he did."
"But how are you going to get out, into the world of other people? That is your problem now, if I may hazard a guess - to find the right relationship, now that you know yourself, between the self that you know and the world outside. It is a difficult problem. No living poet has, I think, altogether solved it."
"Just in case you ever foolishly forget, I'm never not thinking of you."
"When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. Indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman."
"The way to rock oneself back into writing is this. First gentle exercise in the air. Second the reading of good literature. It is a mistake to think that literature can be produced from the raw. One must get out of life...one must become externalised; very, very concentrated, all at one point, not having to draw upon the scattered parts of one's character, living in the brain."
"It partook ... of eternity ... there is a coherence in things, a stability; something, she meant, is immune from change, and shines out (she glanced at the window with its ripple of reflected lights) in the face of the flowing, the fleeting, the spectral, like a ruby; so that again tonight she had the feeling she had had once today, already, of peace, of rest. Of such moments, she thought, the thing is made that endures."
"Literature is impoverished beyond our counting by the doors that have been shut upon women."
"It seems as if an age of genius must be succeeded by an age of endeavour; riot and extravagance by cleanliness and hard work."
"What the fissure through which one sees disaster? The circle is unbroken; the harmony complete. Here is the central rhythm; here the common mainspring. I watch it expand, contract; and then expand again. Yet I am not included."
"Once she knows how to read there's only one thing you can teach her to believe in and that is herself."
"For in marriage a little licence, a little independence there mustbe between people living together day in day out in the same house; which Richard gave her, and shehim."
"The mind of man, moreover, works with equal strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second."
"And in me too the wave rises. It swells; it arches its back. I am aware once more of a new desire, something rising beneath me like the proud horse whose rider first spurs and then pulls him back. What enemy do we now perceive advancing against us, you whom I ride now, as we stand pawing this stretch of pavement? It is death. Death is the enemy. It is death against whom I ride with my spear couched and my hair flying back like a young man's, like Percival's, when he galloped in India. I strike spurs into my horse. Against you I will fling myself, unvanquished and unyielding, O Death!"
"What people had had shed and left-a pair of shoes, a shooting cap, some faded skirts and coats in wardrobes-those alone kept the human shape and in the emptiness indicated how once they were filled and animated; how once hands were busy with hooks and buttons; how once the looking-glass had held a face; had held a world hollowed out in which a figure turned, a hand flashed, the door opened, in came children rushing and tumbling; and went out again. Now, day after day, light turned, like a flower reflected in water, its sharp image on the wall opposite. Only the shadows of the trees, flourishing in the wind, made obeisance on the wall, and for a moment darkened the pool in which light reflected itself; or birds, flying, made a soft spot flutter slowly across the bedroom floor."
"The real novelist, the perfectly simple human being, could go on, indefinitely imaging."
"Possible then the professor inited a little too emphatically upon the inferiority of omen, he was concerned not with their inferiority, but with his superiority."
"She liked getting hold of some book... and keeping it to herself, and gnawing its contents in privacy, and pondering the meaning without sharing her thoughts with any one, or having to decide whether the book was a good one or a bad one."
"The questions that we have to ask and to answer about that procession during this moment of transition are so important that they may well change the lives of men and women forever. For we have to ask ourselves, here and now, do we wish to join that procession, or don't we? On what terms shall we join that procession? Above all, where is it leading us, the procession of educated men?...Let us never cease from thinking-what is this "civilisation" in which we find ourselves? What are these ceremonies and why should we take part in them? What are these professions and why should we make money out of them? Where in short is it leading us, the procession of the sons of educated men?"
"There is the strange power we have of changing facts by the force of the imagination."
"One wanted, she thought, dipping her brush deliberately, to be on a level with ordinary experience, to feel simply that's a chair, that's a table, and yet at the same time, It's a miracle, it's an ecstasy."
"She was married, true; but if one's husband was always sailing round Cape Horn, was it marriage? If one liked him, was it marriage? If one liked other people, was it marriage? And finally, if one still wished, more than anything in the whole world, to write poetry, was it marriage? She had her doubts."
"I find myself saying briefly and prosaically that it is much more important to be oneself than anything else. Do not dream of influencing other people, I would say, if I knew how to make it sound exalted. Think of things in themselves."
"What has seven editions (the book had already gone into no less) got to do with the value of it? Was not writing poetry a secret transaction, a voice answering a voice? So that all this chatter and praise and blame and meeting people who admired one and meeting people who did not admire one was as ill suited as could be to the thing itself - a voice answering a voice."
"She put on her lace collar. She put on her new hat and he never noticed, and he was happy without her."
"The habit of writing for my eye is good practice. It loosens the ligaments."
"When you consider things like the stars, our affairs don't seem to matter very much, do they?"