Marcel Proust, French Author: Marcel Proust, a literary titan of the 20th century, is celebrated for his monumental work "In Search of Lost Time," a sprawling masterpiece that explores the intricacies of memory, time, and human experience with unparalleled depth and insight. Proust's profound reflections continue to resonate with readers worldwide, cementing his status as one of the greatest novelists in history.
"No days, perhaps, of all our childhood are ever so fully lived are those that we had regarded as not being lived at all: days spent wholly with a favourite book."
"I put down my cup and examine my own mind. It is for it to discover the truth. But how? What an abyss of uncertainty whenever the mind feels that some part of it has strayed beyond its own borders; when it, the seeker, is at once the dark region through which it must go seeking, where all its equipment will avail it nothing. Seek? More than that: create. It is face to face with something which does not so far exist, to which it alone can give reality and substance, which it alone can bring into the light of day."
"It was not only Odette's indifference, however, that he must take pains to circumvent; it was also, not infrequently, his own; feeling that, since Odette had had every facility for seeing him, she seemed no longer to have very much to say to him when they did meet, he was afraid lest the manner - at once trivial, monotonous, and seemingly unalterable - which she now adopted when they were together should ultimately destroy in him that romantic hope, that a day might come when she would make avowal of her passion, by which hope alone he had become and would remain her lover."
"My dears, laugh at me if you like; it is not conventionally beautiful, but there is something in its quaint old face which pleases me. If it could play the piano, I am sure it would really play."
"... the objects which we admire have no absolute value in themselves..."
"Until I saw Chardin's painting I never realized how much beauty lay around me in my parents' house in the half-cleared table in the corner of a tablecloth left awry in the knife beside the empty oyster shell."
"A general is like a writer who wants to write a play, or a book, but whom the book itself, with the unexpected options that it reveals at one point, the impasse it presents at another, causes to deviate extensively from his preconceived plan."
"In the case of the solitary, his seclusion, even when it is absolute and ends only with life itself, has often as its primary cause a disordered love of the crowd, which so far overruled every other feeling that, not being able to win, when he goes out, the admiration of his hall-porter, of the passers-by, of the cabman whom he hails, he prefers not to be seen by them at all, and with that object abandons every activity that would oblige him to go out of doors."
"... he was like a man into whose life a woman, whom he has seen for a moment passing by, has brought a new form of beauty, which strengthens and enlarges his own power of perception, without his knowing even whether he is ever to see her again whom he loves already, although he knows nothing of her, not even her name."
"It is the same in life; the heart changes, and that is our worst misfortune; but we learn of it only from reading or by imagination; for in reality its alteration, like that of certain natural phenomena, is so gradual that, even if we are able to distinguish, successively, each of its different states, we are still spared the actual sensation of change.Lygiai taip gyvenime keiAiasi ir mA«sA3 A¡irdis, ir tai skaudA3⁄4iausia; taAiau patiriame ta skausma tik skaitydami knygas, vaizduotA-je; tikrovA-je jos keitimasis, kaip ir kai kuriA3 gamtos reiA¡kiniA3 vyksmas yra toks lA-tas, kad nors ir galime konstatuoti kiekviena atskira bA«sena, paties keitimosi pajusti nepajA-giame."
"The inertia of the mind urges it to slide down the easy slope of imagination, rather than to climb the steep slope of introspection."
"In the sort of screen dappled with different states of mind which my consciousness would simultaneously unfold while I read, and which ranged from the aspirations hidden deepest within me to the completely exterior vision of the horizon which I had, at the bottom of the garden, before my eyes, what was first in me, innermost, the constantly moving handle that controlled the rest, was my belief in the philosophical richness and beauty of the book I was reading, and my desire to appropriate them for myself, whatever that book might be."
"I dined with Legrandin on the terrace of his house by moonlight. "There is a charming quality, is there not," he said to me, "in this silence; for hearts that are wounded, as mine is, a novelist whom you will read in time to come asserts that there is no remedy but silence and shadow. And you see this, my boy, there comes in all our lives a time, towards which you still have far to go, when the weary eyes can endure but one kind of light, the light which a fine evening like this prepares for us in the stillroom for darkness, when the ears can listen to no music save what the moonlight breathes through the flute of silence."
"Sadists of Mlle Vinteuil's sort are creatures so purely sentimental, so naturally virtuous, that even sensual pleasure appears to them as something bad, the prerogative of the wicked. And when they allow themselves for a moment to enjoy it they endeavour to impersonate, to identify with, the wicked, and to make their partners do likewise, in order to gain the momentary illusion of having escaped beyond the control of their own gentle and scrupulous natures into the inhuman world of pleasure."
"For her [FranA§oise], wealth was like a necessary condition without which virtue would lack both merit and charm. She made so little distinction between the two that she came to see their qualities as interchangeable, expecting material comfort from virtue and moral edification from wealth."
"All the objects which he contemplated with as much curiosity and admiration as gratitude, for if, in absorbing his dreams, they had delivered him from an obsession, they themselves were, in turn, enriched by the absorption; they shewed him the palpable realisation of his fancies, and they interested his mind; they took shape and grew solid before his eyes, and at the same time they soothed his troubled heart."
"Then his jealousy rejoiced at the discovery, as though that jealousy had had an independent existence, fiercely egotistical, gluttonous of every thing that would feed its vitality, even at the expense of Swann himself."
"For with the perturbations of memory are linked the intermittencies of the heart."
"What criterion ought one to adopt to judge one's fellows? After all, there was not a single person he knew who might not, in certain circumstances, prove capable of a shameful action."
"M. de Charlus persisted in not replying. I thought I could see a smile flicker about his lips: the smile of the man who looks down from a great height on the characters and manners of lesser men."
"... the burrowing wasp, which in order to provide a supply of fresh meat for her offspring after her own decease, calls in the science of anatomy to amplify the resources of her instinctive cruelty, and, having made a collection of weevils and spiders, proceeds with marvellous knowledge and skill to pierce the nerve-centre on which their power of locomotion (but none of their other vital functions) depends, so that the paralysed insect, beside which her egg is laid, will furnish the larva, when it is hatched, with a tamed and inoffensive quarry, incapable either of flight or of resistance, but perfectly fresh for the larder..."
"He imagined himself lying there, unable to sleep, thinking of his mother, separated from her by the unresponsive blankets tucked too tightly round him, feeling the ceaseless thumping of his heart in the silence of the night, the irrevocability of absence, the rigid stillness of repose, the agony of solitude and sleeplessness. If the room was a prison, the bed was a tomb."
"But, when nothing subsists of an old past, after the death of people, after the destruction of things, alone, frailer but more enduring, more immaterial, more persistent, more faithful, smell and taste still remain for a long time, like souls, remembering, waiting, hoping, on the ruin of all the rest, bearing without giving way, on their almost impalpable droplet, the immense edifice of memory."
"I did not wait to hear the end of my father's story, for I had been with him myself after mass when we had met M. Legrandin; instead, I went downstairs to the kitchen to ask about the menu for our dinner, which was of fresh interest to me daily, like the news in a paper, and excited me as might the programme of a coming festivity."
"We enjoy lovely music, beautiful paintings, a thousand intellectual delicacies, but we have no idea of their cost, to those who invented them, in sleepless nights, tears, spasmodic laughter, rashes, asthmas, epilepsies, and the fear of death, which is worse than all the rest."
"But even with respect to the most insignificant things in life, none of us constitutes a material whole, identical for everyone, which a person has only to go look up as though we were a book of specifications or a last testament; our social personality is a creation of the minds of others."
"The particulars of life do not matter to the artist, they merely provide him with the opportunity to lay bare his genius."
"Those whose suffering is due to love are, as we say of certain invalids, their own physicians."
"But he did not tell her, for he realised how petty it would appear to her, and how different from what she had expected, less sensational and less touching; he was afraid, too, lest, disillusioned in the matter of art, she might at the same time be disillusioned in the greater matter of love."
"Monsieur Beulier never engaged in thought except to speak the truth, and never spoke except to express his thought."
"Soon, what was tedious was everything. 'Beautiful things, they're so tedious! Paintings, they're enough to drive you mad...How right you are, it's so tedious, writing letters!' In the end it was life itself that she declared to us was a bore, without one quite knowing from where she was taking her term of comparison."
"One wants to be understood because one wants to be loved, and one wants to be loved because one loves."
"A man who, night after night, falls like a lump of lead upon his bed, and ceases to live until the moment when he wakes and rises, will such a man ever dream of making, I do not say great discoveries, but even minute observations upon sleep? He barely knows that he does sleep. A little insomnia is not without its value in making us appreciate sleep, in throwing a ray of light upon that darkness. A memory without fault is not a very powerful incentive to studying the phenomena of memory."
"Swann could at once detect in this story one of those fragments of literal truth which liars, when taken by surprise, console themselves by introducing into the composition of the falsehood which they have to invent, thinking that it can be safely incorporated, and will lend the whole story an air of verisimilitude."