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"And our madness-measure is always changing. Probably we are less tolerant of madness now than at any period in history. There is no place for it. Crucially, there is no time for it.Going mad takes time. Getting sane takes time."
"There are two kinds of writing: the one you write and the one that writes you."
"Saddest of all are the woman who were brought up to believe that self-sacrifice is the highest female virtue."
"I looked out across the Ocean, and determined to drown myself.I was up to my chin when the shout came, and I will never forget it. Never. For it seems to me that any hope in life is such a shout; a voice that answers the silent place of despair. It is silence that most needs an answering - when I can no longer speak, hear me."
"However it is debased or misinterpreted, love is a redemptive feature. To focus on one individual so that their desires become superior to yours is a very cleansing experience."
"Creative work bridges time because the energy of art is not time-bound. If it were we should have no interest in the art of the past, except as history or documentary. But our interest in art is our interest in ourselves both now and always. Here and forever. There is a sense of the human spirit as always existing. This makes our death bearable. Life + art is a boisterous communion/communication with the dead. It is a boxing match with time."
"With animal behavior, they're all fine until you introduce some rogue element into the cage, and then they go crazy."
"He: What's the matter with you?Me: Nothing.Nothing was slowly clotting my arteries. Nothing slowly numbing my soul. Caught by nothing, saying nothing, nothingness becomes me. When I am nothing they will say surprised in the way that they are forever surprised, "but there was nothing the matter with her."
"Look at all that rubbish," she said, watching the electric van slowly whirr from bin to bin, little men in gloves removing it all."They're taking it away," I said. "Where to?" she said. "It just gets moved around dearie, that's all."
"Art is enchantment and artists have the right of spells. ... The success of later Shakespeare is the success of spells, where every element, however uneven, however incredible, is fastened to the next with perfect authority. The enchanted world shimmers but does not waver. A Midsummer Night's Dream is the first of his plays to accomplish this, The Tempest is enchantment's apotheosis."
"You are young," said my father. "You won't get any younger even if you clean your teeth twice a day.""You'll get older," said my mother, "that's what happens.""Then what happens?""You won't be able to find the treasure.""Will I be too old to look for it?""No, but you'll be looking in the wrong place."
"The Hopi, an Indian tribe, have a language as sophisticated as ours, but no tenses for past, present and future. The division does not exist. What does this say about time?Matter, that thing the most solid and the well-known, which you are holding in your hands and which makes up your body, is now known to be mostly empty space. Empty space and points of light. What does this say about the reality of the world?"
"Adoption is outside. You act out what it feels like to be the one who doesn't belong. And you act it out by trying to do to others what has been done to you. It is impossible to believe anyone loves you for yourself.I never believed that my parents loved me. I tried to love them but it didn't work. It has taken me a long time to learn how to love - both the giving and the receiving. I have written about love obsessively, forensically, and I know/knew it as the highest value.I loved God of course, in the early days, and God loved me. That was something. And I loved animals and nature. And poetry. People were the problem. How do you love another person? How do you trust another person to love you? I had no idea. I thought that love was loss. Why is the measure of love loss?"
"Very often history is a means of denying the past. Denying the past is to refuse to recognise its integrity. To fit it, force it, function it, to suck out the spirit until it looks the way you think it should. We are all historians in our small way."
"What should I do about the wild and the tame? The wild heart that wants to be free, and the tame heart that wants to come home. I want to be held. I don't want you to come too close. I want you to scoop me up and bring me home at nights. I don't want to tell you where I am. I want to keep a place among the rocks where no one can find me. I want to be with you."
"I don't own my emotions unless I can think about them. I am not afraid of feeling but I am afraid of feeling unthinkingly. I don't want to drown. My head is my heart's lifebelt."
"I have a theory that every time you make an important choice, the part of you left behind continues the other life you could have had. Some people's emanations are very strong, some people create themselves afresh outside of their own body."
"I was happy but happy is an adult word. You don't have to ask a child about happy, you see it. They are or they are not. Adults talk about being happy because largely they are not. Talking about it is the same as trying to catch the wind. Much easier to let it blow all over you. This is where I disagree with the philosophers. They talk about passionate things but there is no passion in them. Never talk happiness with a philosopher."
"You are still the colour of my blood. You are my blood. When I look in the mirror it's not my own face I see. Your body is twice. Once you once me. Can I be sure which is which?"
"The baby explodes into an unknown world that is only knowable through some kind of a story - of course that is how we all live, it's the narrative of our lives, but adoption drops you into the story after it has started. It's like reading a book with the first few pages missing. It's like arriving after curtain up. The feeling that something is missing never, ever leaves you - and it can't, and it shouldn't, because something IS missing. That isn't of its nature negative. The missing part, the missing past, can be an opening, not a void. It can be an entry as well as an exit. It is the fossil record, the imprint of another life, and although you can never have that life, your fingers trace the space where it might have been, and your fingers learn a kind of Braille."
"You act out what it feels like to be the one who doesn't belong. And you act it out by trying to do to others what has been done to you."
"What is it about intimacy that makes it so very disturbing?"
"I keep forgetting that if you live in a big city only mad people talk to themselves."
"Singing is my pleasure, but not in church, for the parson said the gargoyles must remain on the outside, not seek room in the choir stalls. So I sing inside the mountain of my flesh, and my voice is as slender as a reed and my voice has no lard in it. When I sing the dogs sit quiet and people who pass in the night stop their jabbering and discontent and think of other times, when they were happy. And I sing of other times, when I was happy, though I know that these are figments of my mind and nowhere I have been. But does it matter if the place cannot be mapped as long as I can still describe it?"
"There's no such thing as a limited victory. Every victory leaves another resentment, another defeated and humiliated people. Another place to guard and defend and fear."
"Fiction and poetry are doses, medicines. What they heal is the rupture reality makes on the imagination."
"He was always a little boy, and I am upset that I didn't look after him, upset there are so many kids who never get looked after, and so they can't grow up. They can get older, but they can't grow up. That takes love. If you are lucky the love will come later. If you are lucky you won't hit love in the face."
"Shakespeare, he thought as he scribbled away. "Foolish fancy. This is life as it is lived."