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Jay McShann was an American jazz pianist, bandleader, and composer who played a significant role in the development of the Kansas City jazz scene in the 1930s and 1940s. Known as "Hootie," McShann's band helped launch the career of legendary saxophonist Charlie Parker. McShann's music, characterized by its bluesy, swinging style, made him a key figure in the transition from big band jazz to bebop. His contributions to jazz have earned him a place among the greats, and his recordings continue to be celebrated by jazz enthusiasts worldwide.
"It was my first time in Kansas City. In about two or three days I had a gig at a place called The Monroe Inn."
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"It was my first time in Kansas City. In about two or three days I had a gig at a place called The Monroe Inn."

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"We didn't let a night go by that we didn't play."
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"We didn't let a night go by that we didn't play."

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"I was listening to all those lyrics and trying to take in everything that was happening. I was completely excited. It was one of the greatest times that I had listening to music."
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"I was listening to all those lyrics and trying to take in everything that was happening. I was completely excited. It was one of the greatest times that I had listening to music."

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"My family was a Christian family. But I had to get to Kansas to play the blues."
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"My family was a Christian family. But I had to get to Kansas to play the blues."

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"We had an old Victrola with the old bulldog they used to have there. The horn would come out."
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"We had an old Victrola with the old bulldog they used to have there. The horn would come out."

Old,
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"We used to play the Savoy Ballroom, and we always had a boogie tune in the set. Bands like Tommy Dorsey used to do a little boogie woogie. The big bands."
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"We used to play the Savoy Ballroom, and we always had a boogie tune in the set. Bands like Tommy Dorsey used to do a little boogie woogie. The big bands."

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"I had listened to Joe Turner. When they'd book Joe there, I'd play the blues behind him."
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"I had listened to Joe Turner. When they'd book Joe there, I'd play the blues behind him."

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"They had the music being piped right out on the street. I'd be three or four blocks from there and I couldn't get there fast enough because I'd hear old Joe holler them words."
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"They had the music being piped right out on the street. I'd be three or four blocks from there and I couldn't get there fast enough because I'd hear old Joe holler them words."

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