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"My second wife left me because she said I was too ambitious. She didn't realize that it is only the dying who are free from ambition. And they probably have the ambition to live. Some men disguise their ambition--that's all. I was in a position to help this young man my wife loved. He soon showed his ambition then. There are different types of ambition - that is all, and my wife found she preferred mine. Because it was limitless. They do not feel the infinite is an unworthy rival, but for a man to prefer the desk of an assistant manager - that is an insult."
"So much of a novelist's writing, takes place in the unconscious: in those depths the last word is written before the word appears on paper. We remember the details of our story, we do not invent them."
"He's satisfied with himself. If you have a soul you can't be satisfied."
"I have loved no part of the world like this and I have loved no women as I love you. You're my human Africa. I love your smell as I love these smells. I love your dark bush as I love the bush here, you change with the light as this place does, so that one all the time is loving something different and yet the same. I want to spill myself out into you as I want to die here."
"It is the storyteller's task to elicit sympathy and a measure of understanding for those who lie outside the boundaries of State approval."
"One forgets the dead quite quickly; one doesn't wonder about the dead-what is he doing now, who is he with?"
"What have we all got to expect that we allow ourselves to be so lined with disappointment?"
"The old man in the beard he felt convinced was wrong. He was too busy saving his own soul. Wasn't it better to take part even in the crimes of people you loved, if it was necessary hate as they did, and if that were the end of everything suffer damnation with them rather than be saved alone?"
"If only it were possible to love without injury " fidelity isn't enough: I had been faithful to Anne and yet I had injured her. The hurt is in the act of possession: we are too small in mind and body to possess another person without pride or to be possessed without humiliation. In a way I was glad that my wife had struck out at me again " I had forgotten her pain for too long, and this was the only kind of recompense I could give her. Unfortunately the innocent are always involved in any conflict. Always, everywhere, there is some voice crying from a tower."
"I want men to admire me, but that's a trick you learn at school--a movement of the eyes, a tone of voice, a touch of the hand on the shoulder or the head. If they think you admire them, they will admire you because of your good taste, and when they admire you, you have an illusion for a moment that there's something to admire."
"But you do believe, don't you," Rose implored him, "you think it's true?" "Of course it's true," the Boy said. "What else could there be?" he went scornfully on. "Why," he said, "it's the only thing that fits. These atheists, they don't know nothing. Of course there's Hell. Flames and damnation," he said with his eyes on the dark shifting water and the lightning and the lamps going out above the black struts of the Palace Pier, "torments." "And Heaven too," Rose said with anxiety, while the rain fell interminably on. "Oh, maybe," the Boy said, "maybe."
"Life would go out in a 'fraction of a second' (that was the phrase), but all night he had been realizing that time depends on clocks and the passage of light. There were no clocks and the light wouldn't change. Nobody really knew how long a second of pain could be. It might last a whole purgatory--or for ever."
"Even though my reason wanted the state of death, I was afraid like a virgin of the act. I would have liked death to come with due warning, so that I could prepare myself. For what? I didn't know, nor how, except by taking a look at the little I will be leaving."
"He felt the loyalty we feel to unhappiness - the sense that is where we really belong."
"He began to realize what the criminal class knows so well, the impossibility of explaining anything to a man with power."
"It was not merely that his brother was dead. His brain, too young to realize the full paradox, wondered with an obscure self- pity why it was that the pulse of his brother's fear went on and on, when Francis was now where he had always been told there was no more terror and no more--darkness."
"Death was the only absolute value in my world. Lose life and one would lose nothing again forever. I envied those who could believe in a God and I distrusted them. I felt they were keeping their courage up with a fable of the changeless and the permanent. Death was far more certain than God, and with death there would be no longer the daily possibility of love dying. The nightmare of a future of boredom and indifference would lift. I could never have been a pacifist. To kill a man was surely to grant him an immeasurable benefit. Oh yes, people always, everywhere, loved their enemies. It was their friends they preserved for pain and vacuity."
"I had been afraid of the primitive, had wanted it broken gently, but here it came on us in a breath, as we stumbled up through the dung and the cramped and stinking huts to our lampless sleeping place among the rats. It was the worst one need fear, and it was bearable because it was inescapable."
"How often the priest had heard the same confession--Man was so limited: he hadn't even the ingenuity to invent a new vice: the animals knew as much. It was for this world that Christ had died: the more evil you saw and heard about you, the greater the glory lay around the death; it was too easy to die for what was good or beautiful, for home or children or civilization--it needed a God to die for the half-hearted and the corrupt."
"I recognized my work for what it was--as unimportant a drug as cigarettes to get one through the weeks and years. If we are extinguished by death, as I still try to believe, what point is there in leaving some books behind any more than bottles, clothes, or cheap jewellry?"
"Despair is the price one pays for setting oneself an impossible aim. It is, one is told, the unforgivable sin, but it is a sin the corrupt or evil man never practices. He always has hope. He never reaches the freezing-point of knowing absolute failure. Only the man of goodwill carries always in his heart this capacity for damnation."
"It is always of interest to know what strikes another human being as remarkable."
"Oh,' the priest said, 'that's another thing altogether - God is love. I don't say the heart doesn't feel a taste of it, but what a taste. The smallest glass of love mixed with a pint pot of ditch-water. We wouldn't recognize that love. It might even look like hate. It would be enough to scare us - God's love. It set fire to a bush in the desert, didn't it, and smashed open graves and set the dead walking in the dark. Oh, a man like me would run a mile to get away if he felt that love around."
"Beauty is like success: we can't love it for long."
"You don't bless what you love...It's when you want to love and you can't manage it. You stretch out your hands and you say God forgive me that I can't love but bless this thing anyway...We have to bless what we hate...It would be better to love, but that's not always possible."
"She got up and he saw the skin of her thigh for a moment above the artificial silk, and a prick of sexual desire disturbed him like a sickness. That was what happened to a man in the end: the stuffy room, the wakeful children, the Saturday night movements from the other bed. Was there no escape""anywhere""for anyone? It was worth murdering a world."
"The sense of unhappiness is so much easier to convey than that of happiness. In misery we seem aware of our own existence, even though it may be in the form of a monstrous egotism: this pain of mine is individual, this nerve that winces belongs to me and to no other. But happiness annihilates us: we lose our identity."
"Perhaps to the soldier the civilian is the man who employs him to kill, who includes the guilt of murder in the pay-envelope and escapes responsibility."
"Perhaps we are all fictions, father, in the mind of God."
"God created a number of possibilities in case some of his prototypes failed - that is the meaning of evolution."
"A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead."
"A major character has to come somehow out of the unconscious."
"She wasn't religious. She didn't believe in heaven or hell, only in ghosts, Ouija boards, tables which rapped and little inept voices speaking plaintively of flowers."