Graham Greene was a British playwright and novelist known for his compelling storytelling and exploration of moral and political themes. His notable works include "The Power and the Glory" and "The Comedians." Greene's contributions to literature have earned him critical acclaim and a lasting legacy as one of the 20th century's most significant writers.
"Thought's a luxury. Do you think the peasant sits and thinks of God and Democracy when he gets inside his mud hut at night?"
"The Church is in the world, it is part of the suffering in the world, and though Christ condemned the disciple who struck off the ear of the high priest's servant, our hearts go out in sympathy to all who are moved to violence by the suffering of others. The Church condemns violence, but it condemns indifference more harshly. Violence can be the expression of love, indifference never. One is an imperfection of charity, the other the perfection of egoism."
"Wouldn't we all do better not trying to understand, accepting the fact that no human being will ever understand another, not a wife a husband, a lover a mistress, nor a parent a child? Perhaps that's why men have invented God -- a being capable of understanding. Perhaps if I wanted to be understood or to understand I would bam-boozle myself into belief, but I am a reporter; God exists only for leader-writers."
"A police photograph is like a passport photograph: the intelligence which casts a veil over the crude common shape is never recorded by the cheap lens. No one can deny the contours of the flesh, the shape of nose and mouth, and yet we protest, This isn't me."
"It is the same in life: sometimes it is more difficult to make a scene than to die."
"I'm not involved, not involved," I repeated. It has been an article of my creed. The human condition being what it was, let them fight, let them love, let them murder, I would not be involved. My fellow journalists called themselves correspondents; I preferred the title of reporter. I wrote what I saw. I took no action " even an opinion is a kind of action."
"It takes a long time before we cease to feel proud of being wanted. Though God knows why we should feel it, when we look around and see who is wanted too."
"The conditions of writing change absolutely between the first novel and the second: the first is an adventure, the second is a duty. The first is like a sprint which leaves you exhausted and triumphant beside the track. With the second the writer has been transformed into a long-distance runner - the finishing tape is out of sight, at the end of life. He must guard his energies and plan ahead. A long endurance is more exhausting than a sprint, and less heroic."
"So much of war is sitting around and doing nothing, waiting for somebody else. With no guarantee of the amount of time you have left it doesn't seem worth even starting a train of thought."
"A writer's knowledge of himself, realistic and unromantic, is like a store of energy on which he must draw for a lifetime: one volt of it properly directed will bring a character to life."
"He was as incapable of imagining pain or danger to himself as he was incapable of conceiving the pain he caused others."
"Christmas it seems to me is a necessary festival; we require a season when we can regret all the flaws in our human relationships: it is the feast of failure, sad but consoling."
"For a moment he came near to sharing their incredible belief-it would do no harm to mutter a prayer of thanks to the God of his childhood, the God of the Common and the castle, that no ill had yet come to Sarah's child. Then a sonic boom scattered the words of the hymn and shook the old glass of the west window and rattled the crusader's helmet which hung on a pillar, and he was reminded again of the grown-up world. He went quickly out and bought the Sunday papers. The Sunday Express had a headline on the front page-"Child's Body Found in Wood."
"In five hundred years' time, to the historian writing the Decline and Fall of the British Empire, this little episode would not exist. There will be plenty of other causes. You and me and poor Jones will not even figure in a footnote. It will be all economics, politics, battles."
"My two fingers on a typewriter have never connected with my brain. My hand on a pen does. A fountain pen, of course. Ball-point pens are only good for filling out forms on a plane."
"When you visualized a man or woman carefully, you could always begin to feel pity " that was a quality God's image carried with it. When you saw the lines at the corners of the eyes, the shape of the mouth, how the hair grew, it was impossible to hate. Hate was just a failure of imagination."
"It is the earliest dream that I can remember, earlier than the witch at the corner of the nursery passage, this dream of something outside that has got to come in. The witch, like the masked dancers, has form, but this is simply power, a force exerted on a door, an influence that drifted after me upstairs and pressed against windows."
"Hatred seems to operate on the same glands as love it even produces the same actions. If we had not been taught how to interpret the story of the Passion would we have been able to say from their actions alone whether it was the jealous Judas or the cowardly Peter who loved Christ?"
"If there is a God who uses us and makes his saints out of such material as we are, the devil too may have his ambitions: he may dream of training even such a person as myself, even poor Parkis, into being his saints, ready with borrowed fanaticism to destroy love wherever we find it."
"Innocence must die young if it isn't to kill the souls of men."
"Insecurity is the worst sense that lovers feel: sometimes the most humdrum desireless marriage seems better. Insecurity twists meanings and poisons trust."
"In Italy, for 30 years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love, they had 500 years of democracy and peace - and what did that produce? The cuckoo clock."
"Death never mattered at those times - in the early days I even used to pray for it: the shattering annihilation that would prevent for ever the getting up, the putting on of clothes, the wathchign her torch trail across to the opposite side of the common like the tail-light of a low car driving away."
"He had in those days imagined himself capable of extraordinary heroisms and endurances which would make the girl he loved forget the awkward hands and the spotty chin of adolescence. Everything had seemed possible. One could laugh at daydreams, but so long as you had the capacity to daydream there was a chance that you might develop some of the qualities of which you dreamed. It was like the religious discipline: words however emptily repeated can in time form a habit, a kind of unnoticed sediment at the bottom of the mind, until one day to your own surprise you find yourself acting on the belief you thought you didn't believe in."
"What are we doing to each other? Because I know that I am doing to him exactly what he is doing to me. We are sometimes so happy, and never in our lives have we known more unhappiness."
"He gave her a bright fake smile; so much of life was a putting off of unhappiness for another time. Nothing was ever lost by delay. He had a dim idea that perhaps if one delayed long enough, things were taken out of one's hands altogether by death."
"But I'm a bad priest, you see. I know--from experience--how much beauty Satan carried down with him when he fell. Nobody ever said the fallen angels were the ugly ones. Oh, no, they were just as quick and light and . . ."