Aldous Huxley, an English writer and philosopher, is best known for his dystopian novel "Brave New World," which explores themes of technology, conformity, and the human condition. Huxley's wide-ranging body of work also includes essays, poetry, and philosophical treatises, reflecting his deep engagement with the cultural and intellectual currents of his time.
"Modern man's besetting temptation is to sacrifice his direct perceptions and spontaneous feelings to his reasoned reflections to prefer in all circumstances the verdict of his intellect to that of his immediate intuitions."
"The fact that there was this capacity even in a paranoiac for intelligence, even in a devil worshipper for love; the fact that the ground of all being could be totally manifest in a flowering shrub, a human face; the fact that there was a light and that this light was also compassion."
"Hell isn't merely paved with good intentions; it's walled and roofed with them. Yes, and furnished too."
"He liked to think of himself as a merciless vivisector probing into the palpitating entrails of his own soul."
"To be shaken out of the ruts of ordinary perception, to be shown for a few timeless hours the outer and inner world, not as they appear to an animal obsessed with survival or to a human being obsessed with words and notions, but as they are apprehended directly and unconditionally by Mind at Large-- this is an experience of inestimable value to everyone and especially to the intellectual."
"Katy was neither a Methodist nor a Masochist. She was a goddess and the silence of goddesses is genuinely golden. None of your superficial plating. A solid, twenty-two-carat silence all the way through. The Olympian's trap is kept shut, not by an act of willed discretion, but because there's really nothing to say. Goddesses are all of one piece. There's no internal conflict in them. Whereas the lives of people like you and me are one long argument. Desires on one side, woodpeckers on the other. Never a moment of real silence."
"Every ceiling when reached becomes a floor upon which one walks as a matter of course and prescriptive right."
"Back to culture. Yes, actually to culture. You can't consume much if you sit still and read books."
"La filosofía nos enseña a sentir incertidumbre ante las cosas que nos parecen evidentes. La propaganda, en cambio, nos enseña a aceptar como evidentes cosas sobre las que sería razonable suspender nuestro juicio o sentir dudas."
"However expressive, symbols can never be the things they stand for."
"All that happens means something, nothing you do is ever insignificant."
"I believe one would write better if the climate were bad. If there were a lot of wind and storms for example..."
"One entered the world, Denis pursued, having ready-made ideas about everything. One had a philosophy and tried to make life fit into it. One should have lived first and then made one's philosophy to fit life...Life, facts, things were horribly complicated; ideas, even the most difficult of them, deceptively simple. In the world of ideas, everything was clear; in life all was obscure, embroiled. Was it surprising that one was miserable, horribly unhappy?"
"There's so much one doesn't know; it wasn't my business to know. I mean, when a child asks you how a helicopter works or who made the world"well, what are you to answer if you're a Beta and have always worked in the Fertilizing Room? What are you to answer?"
"My soul is a pale, tenuous membrane..."That was pleasing: a thin, tenuous membrane. It had the right anatomical quality. Tight blown, quivering in the blast of noisy life. It was time for him to descend from the serene empyrean of words into the actual vortex. He went down slowly. "My soul is a thin, tenuous membrane..."
"Consistency is contrary to nature, contrary to life. The only completely consistent people are dead."
"The greatest triumphs of propaganda have been accomplished not by doing something but by refraining from doing. Great is truth but still greater from a practical point of view is silence about truth."
"Well, I'd rather be unhappy than have the sort of false, lying happiness you were having here."
"Actual happiness always looks pretty squalid in comparison with the overcompensations for misery. And, of course, stability isn't nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand."
"Her cheeks were flushed. She caught hold of the Savage's arm and pressed it, limp, against her side. He looked down at her for a moment, pale, pained, desiring, and ashamed of his desire. He was not worthy, not... Their eyes for a moment met. What treasures hers promised! A queen's ransom of temperament. Hastily he looked away, disengaged his imprisoned arm. He was obscurely terrified lest she should cease to be something he could feel himself unworthy of."
"The essay is a literary device for saying almost everything about almost anything."
"We participate in tragedy. At comedy we only look."
"The function of the well-intentioned individual, acting in isolation, is to formulate or disseminate theoretical truths. The function of the well-intentioned individuals in association is to live in accordance with those truths, to demonstrate what happens when theory is translated into practice, to create small-scale working models of the better form of society to which the speculative idealist looks forward."
"There were the years- years of childhood and innocence- when I had believed that carminative meant- well, carminative. And now, before me lies the rest of my life- a day, perhaps, ten years, half a century, when I shall know that carminative means windtreibend."