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"John and I had a few meetings about what direction the sequel should take. I made some real insane suggestions. True to what you'd expect, he ignored them all and just picked up Halloween II where the original left off."
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"If you lead me astray, then my wanderings will bring me to my destination."
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Personal Development

"Look ahead, because life is before you, not behind you, or else you stumble!"
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Personal Development

"Aimless life leads to depression."
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Personal Development

"In order to answer the question "Where am I going?" you must possess decisiveness."
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Personal Development

"On one hand, to be able to go from one direction in the sky to study such an object to another direction to study another object, and on the other hand to be able to maintain accurately the position in space."
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Personal Development

"If the goal is unknown, then abuse is inevitable."
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Personal Development

"Painful as it may be, a significant emotional event can be the catalyst for choosing a direction that serves us - and those around us - more effectively. Look for the learning."
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Personal Development

"The knowledge of "Where am I going?" sometimes depends on the faithfulness in little things."
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Personal Development

"We must be focused on the goal that God has revealed to us."
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Personal Development

"Do not pay attention to difficulties and life's troubles, you only need to believe."
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Personal Development
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"I think people have a tendency to read into more than there is."
People

"John Carpenter created the idea of Halloween, so his vision remains the most focused and intelligently directed of the series. The directors that have followed have kept the original intent of the concept."
Idea

"John and I had a few meetings about what direction the sequel should take. I made some real insane suggestions. True to what you'd expect, he ignored them all and just picked up Halloween II where the original left off."
Direction

"The idea of dying and coming back is what makes the Halloween films work."
Work

"All the real work is done in the rehearsal period."
Work

"I am not one of those actors who believes he has to live the part he is playing. I can turn it on and off."
Actor

"I do not use any set methods, not even The Method. The character after all is in the lines."
Character

"I believe you can frighten people without showing their heads caved-in."
People

"The play is on top of me all the time, and I am constantly thinking about it. Even when I leave the theatre, I'll mumble the lines to myself or think about the way the character walks or holds himself."
Time

"I'm hardly physically right for the hero parts, now am I?"
Now
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