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"Well, with the French language, which I understood and spoke, however imperfectly, and read in great quantities, at certain times, the matter I suppose was slightly different from either Latin or Greek."
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"All our words from loose using have lost their edge."

"Language is the friendliest of the things from which we cannot escape."

"The Eskimo has fifty-names for snow because it is important to them there ought to be as many for love."

"Putting it into words will destroy any meaning."

"Why people use "Was" I have heard some people to say "I was a smart kid at school - Eminem", but why "Was", was is a word for describing the past... which will mean that has started and ended... so what??? How to get it now? You aren't wise, are you?"

"He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out."

"Words are the fallen ruins of silent majesty."

"Kitai blinked slowly. "Why would you use the same word for these things? That is ridiculous.""We have a lot of words like that," Tavi said. "They can mean more than one thing.""That is stupid," Kitai said. "It is difficult enough to communicate without making it more complicated with words that mean more than one thing."
Explore more quotes by Robert Fitzgerald

"Now, the language that had grown up and formed itself on those principles is what one is dealing with, and the problem is to bring a work of art in that medium into another medium formed on different principles and heard and understood in a different way."

"The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it."

"I would then go on to say that Homer, as we now know, was working in what they call an oral tradition."

"In fact, eloquence in English will inevitably make use of the Latin element in our vocabulary."

"The heart of the matter seems to me to be the direct interaction between one's making a poem in English and a poem in the language that one understands and values. I don't see how you can do it otherwise."

"Is encouragement what the poet needs? Open question. Maybe he needs discouragement. In fact, quite a few of them need more discouragement, the most discouragement possible."

"Well, with the French language, which I understood and spoke, however imperfectly, and read in great quantities, at certain times, the matter I suppose was slightly different from either Latin or Greek."

"In a way you can feel that the poet actually is looking over your shoulder, and you say to yourself, now, how would this go for him? Would this do or not?"

"Of course the other and more serious way in which it all happens is that one finds in poems and language some quality one appropriates for oneself and wishes to reproduce."
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