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Rod Steiger

"He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then."

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"He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then."

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Amber Hurdle

"We all have a dinosaur deep within us just trying to get out."

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Amber Hurdle

"But now it's kind of a given that a 15-year-old would have a record deal and sell a quarter of a million records. No one's expecting her to answer any deep theological questions. And I'll tell you, I was asked some deep theological questions from the git-go."

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Amber Hurdle

"I've always had this deep and chronic sense of dissatisfaction."

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Amber Hurdle

"Deep, unspeakable suffering may well be called a baptism, a regeneration, the initiation into a new state."

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Amber Hurdle

"Sometimes my mind boggles. It's so deep my mind actually boggles."

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Amber Hurdle

"If you look at a record under a microscope, the high frequencies are short jagged edges... and the low frequencies are long swinging ones are deep bass sounds. When it cut it at half speed, you're getting more of those on the record."

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Amber Hurdle

"Can ye fathom the ocean, dark and deep, where the mighty waves and the grandeur sweep?"

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Amber Hurdle

"We walk ourselves into ruts so deep we cannot see over them."

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Amber Hurdle

"Down below the broad, roaring waves of the sea break against the deep foundation of the rock. But high above the mountain, the sea, and the peaks of rock the eternal ornamentation blooms silently from the dark depths of the universe."

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Amber Hurdle

"I'm the guy they used to call Deep Throat."

Explore more quotes by Rod Steiger

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Rod Steiger
"Is this a proposal? I'm married now, you know."
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Rod Steiger
"I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear."
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Rod Steiger
"If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?"
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Rod Steiger
"Sometimes it's great, sometimes it's bad. I think the film could have been a lot better."
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Rod Steiger
"I found out was, by the rhythm of my chewing, how I chewed fast, slow or what have you, I could tell the audience what my character was thinking and feeling."
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Rod Steiger
"I had read the novel and I had heard David Lean was going to direct it - and it came as a surprise to me because American actors, if given the chance, can do style as well as anybody and speak as well as anybody."
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Rod Steiger
"That's not a villain, that's a man whose a victim of being in love with the wrong one."
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Rod Steiger
"'The Mark' I played a psychiatrist. And in the '50's everybody went to a psychiatrist because if you didn't, you'd have nothing to talk about at cocktail parties."
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Rod Steiger
"I'm not so sure that younger people today really appreciate the enormous bravery that went into the creation and production of that film, or how important a film at the time it really was."
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Rod Steiger
"I didn't ever think of it as a social thing at the time. I took it as a good story. Maybe because I've always been kind of progressive so I never thought of it, you know."
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