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"An author knows his landscape best; he can stand around, smell the wind, get a feel for his place."
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Exlpore more Art quotes
"The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means."
"Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all."
"Freedom and fullness of expression are of the essence of the art."
"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."
"Most critics, fond of subservient artstill make the whole depend upon a part.They talk of principles, but notions prizeAnd all to one loved folly sacrifice."
"One should be a painter. As a writer, I feel the beauty, which is almost entirely colour, very subtle, very changeable, running over my pen, as if you poured a large jug of champagne over a hairpin."
"Art and the artist meet in stages, slowly revealing themselves until both are satisfied with what the other has become."
"A picture is a voiceless poem, a poem is a vocal picture."
"It starts with this: put your desk in the corner, and every time you sit down there to write, remind yourself why it isn't in the middle of the room. Life isn't a support system for art. It's the other way around."
Explore more quotes by Tony Hillerman
"Having grown up in Oklahoma when it was one of the last states which prohibited liquor, I grew up with War On Drugs, where every teenager knew who the bootleggers were."
"You write for two people, yourself and your audience, who are usually better educated and at least as smart."
"Although I wasn't able to get a visa for Vietnam, I was able to talk with swift boat veterans to get a feel for the time and place, and I visited a tropical prison in the Philippines to get a sense of what a Vietnamese prison might have been like."
"The essays in The Great Taos Bank Robbery were my project to win a Master of Arts degree in English when I quit being a newspaper editor and went back to college."
"I know what I write about seems exotic to a lot of people, but not for me. I pulled up to an old trading post and saw a few elderly Navajos sitting on a bench. I felt right at home."
"I always have one or two, sometimes more, Navajo or other tribes' cultural elements in mind when I start a plot. In Thief of Time, I wanted to make readers aware of Navajo attitude toward the dead, respect for burial sites."
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