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"It is desirable that people make music on the breath, with the breath."
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"There are so few directors who are musical who appreciate music."

"I can see me continuing to make the best music I can, and let the chips fall where they may."

"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."

"I just really longed to do music that reflected me as an adult and music that I thought was for other adults."

"Anything I do has to be directly related to my music. If it isn't, I don't really see a point to it."

"So all of the music had reference, or is inspired by something of the dharma that I've come in contact with."

"A song has to become as much a part of you as a tailored suit."
Explore more quotes by Dietrich Fischer Dieskau

"Toward the end of his life, one can sense that he was no longer thinking his way into the minds of others, causing them to speak on his behalf, but that he was now speaking for himself."

"Admittedly, it is really our duty, as artists, to hold up a mirror to our own era; but, on the other hand, these works have lives of their own, and they're still alive today."

"In fact, the element of play has an important role in my life, and I think that should be the case in the life of every artist. Our life is occupied with playing, whether we play an instrument or a role."

"Many, many composers have only found their way to a certain form, through familiarizing themselves with texts."

"Particularly at around the age of 70 you reach a stage where you have to be very careful. If, at that point, you abandon the work you have been doing, there is a good chance that you will just collapse and drift."

"If you only do little clusters - three or four songs by one, and another, and then yet another - you lose the opportunity to think your way into the composer's mind, since, after all, most of these pieces are quite brief."

"And what unity is to be had, at a time when orchestras are dying out, and when opera houses are about to close their doors; what's going to come next - when nothing new in music, for the orchestra, is truly lasting: pieces are performed once, and then they're thrown away."

"When you go out onto the stage, all the preparation has to be forced into your subconscious. For the moment of the performance, we all have to return to a new level of unconsciousness. All the reflection and all the doubts have to be laid aside before you start."
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