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"If anyone asks me about the George Martin years I usually say I group all of that stuff together as the single greatest experience but I wasn't scared I was just really looking forward to it."
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"When he finished, he drank from the cup. Everyone else did too, so I followed suit.And nearly choked to death.It was like fire in liquid form. It took every ounce of strength I had to swallow it and not spray it on those around me."Wh...what is this?" I asked, coughing.Viktoria grinned. "Vodka."I peered at the glass. "No, it isn't. I've had vodka before.""Not Russian vodka."Apparently not."
"We experience problem-solving sessions as war zones, we view competing ideas as enemies, and we use problems as weapons to blame and defeat opposition forces. No wonder we can't come up with real lasting solutions!"
"The joy of acting for me is to be able to experience emotions in a safe environment. You can't scream and cry in the street because everybody will look. If you do it on a movie set, you get applauded."
"I think it will be found that experience, the true source and foundation of all knowledge, invariably confirms its truth."
"Prophecy, however honest, is generally a poor substitute for experience."
"As the writer, you're always a presence in the song. If you get close to what human beings are like, you're writing about common experience. We all do much the same things, so if you nail somebody, then you've also nailed yourself."
"I'm in the mood for another Moonstruck experience, for another romantic comedy."
"You learn from a conglomeration of the incredible past - whatever experience gotten in any way whatsoever."
"Existence itself does not feel horrible; it feels like an ecstasy, rather, which we have only to be still to experience."
Explore more quotes by Gerry Beckley
"We then went through the audition process and picked a guy named Richard Campbell and he is no secret to L.A. players as he was with Natalie Cole for years and Three Dog Night."
"At the time, we thought it was a nice way to say something unique about the group to make us different from all the other bands kicking around in London."
"Our friends in the group Chicago, they just numbered theirs and we thought that was kind of neat but it made continuity from album to album and that was our way of doing it."
"Also in Norah Jones, now there's a voice that sounds and I don't mean disrespect but sounds a hundred years old that sounds incredibly experienced. It's just an exciting time."
"I think if you're writing from the heart, very often, the subject matter will adjust as you age... but you try to write the best song you can possibly write. For us, we have the same basic elements that make up the America sound."
"It's what everyone is after, I mean they want success and when they get it it's an incredible pressure but what you have to do is try to keep the big picture in view."
"It's not a bad problem to have because a lot of classic acts are known for one or two songs and in their show they basically hold those songs off until the end and you sit through an hour or so of lesser known material but in our case most of the songs are well known."
"I know acts and I'm not going to name names but these people sold ten million copies the first time and the second album sells three million and it's considered a failure and they're dropped and that's really a shame."
"The first year with the success that we had and let me point out that the time frame changes depending on which decade you look at it. In the seventies acts were kind of expected to do an album a year. If you look at the Beatles they were doing three a year."
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