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Helmut Newton

"I used to hate doing color. I hated transparency film. The way I did color was by not wanting to know what kind of film was in my camera."

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"I used to hate doing color. I hated transparency film. The way I did color was by not wanting to know what kind of film was in my camera."

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Donna Grant

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Donna Grant

"Film gives us a second chance at a first impression."

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Donna Grant

"Looper is another great film."

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Donna Grant

"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."

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Donna Grant

"Right after I did 'The Fountain,' I wanted to go make a documentary or something that was less constructed - more natural. I was searching for a project, and sniffing around, 'The Wrestler' fit right in."

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Donna Grant

"I did put on weight for the last half of the film, but the Ferris wheel scene was shot with a harness on me so that if I fell I wouldn't fall all the way."

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Personal Development

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Donna Grant

"When I started in the late 1950s, every film I made - no matter how low the budget - got a theatrical release. Today, less that 20-percent of our films get a theatrical release."

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Personal Development

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Donna Grant

"You get to the middle of a take that's going really well and the camera will run out of film. They have to stop you, apologize and then you've got to get things going all over again."

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Personal Development

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Donna Grant

"I do enjoy film. The more I do it the more I learn."

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Donna Grant

"When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it."

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Helmut Newton
"The whole series is black-and-white, so when I went to shoot one of the women I only had black-and-white film with me. She had reddish hair and was a very pretty girl, a nice girl."

Woman

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Helmut Newton
"Well, it takes a certain amount of money. And I've got to see pictures of the person ahead of time. If I don't like the way the person looks I won't do it."

Money

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Helmut Newton
"People gave us everything for free. We were allowed only so much film per picture, but there was no limit to the creativity. I like to say that they let us loose like wild dogs in the streets of Paris."

People

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Helmut Newton
"My job as a portrait photographer is to seduce, amuse and entertain."

Job

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Helmut Newton
"In the photographs themselves there's a definite contrast between the figures and the location - I like that kind of California backyard look; clapboard houses, staircases outdoors."

Art

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Helmut Newton
"I spend a lot of time preparing. I think a lot about what I want to do. I have prep books, little notebooks in which I write everything down before a sitting. Otherwise I would forget my ideas."

Time

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Helmut Newton
"Technically, I have not changed very much. Ask my assistants. They'll tell you, I am the easiest photographer to work with. I don't have heavy equipment. I work out of one bag."

Work

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Helmut Newton
"I like photographing the people I love, the people I admire, the famous, and especially the infamous. My last infamous subject was the extreme right wing French politician Jean-Marie Le Pen."

Love

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Helmut Newton
"I used to hate doing color. I hated transparency film. The way I did color was by not wanting to know what kind of film was in my camera."

Film

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Helmut Newton
"I have mixed feelings about those sorts of things. When I see it done by interesting young people, I think it's very valid. But when established photographers, people in their forties, copy me and get a lot of money, well, I find that to be very stupid."

Money

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