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"I used to hate doing color. I hated transparency film. The way I did color was by not wanting to know what kind of film was in my camera."
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"Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling."
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"When you direct your first film, you always start by telling stories that you are familiar with."

"I'm not interesting enough on my own that you'd want to see a film about me."

"You wouldn't ask Rodin to make an ugly sculpture, or me to make a film with an ugly woman."
Explore more quotes by Helmut Newton

"Technically, I have not changed very much. Ask my assistants. They'll tell you, I am the easiest photographer to work with. I don't have heavy equipment. I work out of one bag."

"The whole series is black-and-white, so when I went to shoot one of the women I only had black-and-white film with me. She had reddish hair and was a very pretty girl, a nice girl."

"I like photographing the people I love, the people I admire, the famous, and especially the infamous. My last infamous subject was the extreme right wing French politician Jean-Marie Le Pen."

"In the photographs themselves there's a definite contrast between the figures and the location - I like that kind of California backyard look; clapboard houses, staircases outdoors."

"I spend a lot of time preparing. I think a lot about what I want to do. I have prep books, little notebooks in which I write everything down before a sitting. Otherwise I would forget my ideas."

"People gave us everything for free. We were allowed only so much film per picture, but there was no limit to the creativity. I like to say that they let us loose like wild dogs in the streets of Paris."

"Well, it takes a certain amount of money. And I've got to see pictures of the person ahead of time. If I don't like the way the person looks I won't do it."

"They often ask me to shoot for them. But I say no. I think an old guy like me ought not take pages away from young photographers who need the exposure."

"I have mixed feelings about those sorts of things. When I see it done by interesting young people, I think it's very valid. But when established photographers, people in their forties, copy me and get a lot of money, well, I find that to be very stupid."
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