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"The map is not the territory," Snicket's chaperon advises him. "That's an expression which means the world does not match the picture in our heads."
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"For whence did Dante get the material for his hell, if not from this actual world of ours? And indeed he made a downright hell of it."

"What about reality, you ask? Well, as far as I'm concerned, reality can go take a flying fuck at a rolling doughnut. I've never held much of a brief for reality, at least in my written work. All too often it is to the imagination what ash stakes are to vampires."

"The Apparent is the Bridge to the Real."

"I have to tell you the truth. But you are too ugly for it."

"Their grumpiness is often the grumpiness of perfectionists who hold that anything less than total victory is failure, a premise that makes it easy to give up at the start or to disparage the victories that are possible. This is Earth. It will never be heaven. There will always be cruelty, always be violence, always be de- struction."

"It is impossible for a man to outpace his shadow."
Explore more quotes by Lemony Snicket


"One of the greatest myths in the world - & the phrase 'greatest myths' is just a fancy way of saying 'big fat lies' -- is that troublesome things get less & less troublesome if you do them more & more. People say this myth when they are teaching children to ride bicycles, for instance, as though falling off a bicycle & skinning your knee is less troublesome the fourteenth time you do it than it is the first time. The truth is that troublesome things tend to remain troublesome no matter how many times you do them, & that you should avoid doing them unless they are absolutely urgent."


"In an emergency, one often learns that one's companions can be of even less help in extraordinary circumstances than they are during an average evening."


"It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things."


"We'll see what you find out," Stew said. "You'll find out what it feels like to be thrown from a speeding train to the rocky bottom of a drained sea. Except you won't really find out, because you'll be dead. Get it? What I mean is, it'll kill you when I throw you from this train so you'll be in no state to find out what it feels like. Get it? Due to your death by falling from a train."


"We both wanted to know each other's secrets, and we both wanted the other person to go first."


"My silence knot is tied up in my hair; as if to keep my love out of my eyes. I cannot speak to one for whom i care. A hatpin serves as part of my disguise. In the play, my role is baticeer; a word which here means "person who trains bats." The audience may feel a prick of fear, as if sharp pins are hidden in thier hats. My co-star lives on what we call a brae. His solitude might not be just an act. A piece of mail fails to arrive one day. This poignant melodrama's based on fact.The curtain falls just as the knot unties; the silence is broken by the one who dies."


"Count Olaf sounds like an awful person. I hope he is torn apart by wild animals someday. Wouldn't that be satisfying?"


"One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it."


"Sunny held Kit, and Violet held Klaus, and for a minute the four castaways did nothing but weep, letting their tears run down their faces and into the sea, which some have said is nothing but a library of all tears in history."
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