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"When we'd suggested doing it, the Theatre Royal management had said, 'Nobody wants to see Waiting for Godot.' As it happened, every single ticket was booked for every single performance, and this confirmation that our judgment was right was sweet. Audiences came to us from all over the world. It was amazing."
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"The purpose of people-centric Change Management is to build an ongoing change capability."
"We need to learn to protect our time."
"You cannot do everything by yourself, you need to learn how to delegate responsibility and trust people that everything will be done on time and with highest quality."
"Great leaders understand the importance of assigning the right people to the right positions. If you put the wrong person in the wrong place, no matter how talented or earnest they are, they will never reach the peak of their potential. Their strengths will be underutilized and they may never measure up to your expectations. Reassign to get the best out of others and the situation."
"Until you fight the battle against time, you won't know how best to manage your time."
"Later, I became the manager for Amelia Earhart, until, well, you know."
"The manager accepts the status quo; the leader challenges it."
"The manager has a short-range view; the leader has a long-range perspective."
"The manager has his eye on the bottom line; the leader has his eye on the horizon."
"And I'm the kind of manager that doesn't believe that you micro-manage professionals. They should understand their responsibility and carry out those responsibility."
Explore more quotes by Ian McKellen
"I headed out to have a breather at the stage door, dressed in my tramp costume. I had my bowler hat between my feet and there were passers-by, and one of them turned back and said, 'Do you need help, brother?' And $1 fell into my hat!"
"Macbeth is a very popular play with audiences. If you want to sell out a theater, just mount a production of Macbeth. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting."
"You always think that 70 is the end of the road: 'Somebody died when they were 73; good life'. You're closer to death, and you better make sure you don't waste too much of your time doing things you don't want to do. No point in saying things you don't believe in."
"I can't take on all the worries of the world, you know. I can only talk about being gay and being an actor. I'll have to leave those other battles to somebody else."
"When we'd suggested doing it, the Theatre Royal management had said, 'Nobody wants to see Waiting for Godot.' As it happened, every single ticket was booked for every single performance, and this confirmation that our judgment was right was sweet. Audiences came to us from all over the world. It was amazing."
"Godot is whatever it is in life that you are waiting for: 'I'm waiting to win the lottery. I'm waiting to fall in love'. For me, as a child, it was Christmas. At least that eventually came."
"There are not many things in my life I can be absolutely proud of or certain I got right, but one of them is that I've got better as an actor. I've learnt how to do it. And I still have enough energy to do it."
"I was brought up in industrial south Lancashire, down the cobbled road from where LS Lowry (1887-1976) lived and painted."
"So it's joyful to me, in my 71st year, to be able to be in a play that is absolutely right for my age and my experience, and that is a popular success. What more could you ask as an actor?"
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