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Mike Figgis

"I play piano and trumpet. I studied classical guitar."

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"I play piano and trumpet. I studied classical guitar."

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Amber Hurdle

"The abilities of man must fall short on one side or the other, like too scanty a blanket when you are abed. If you pull it upon your shoulders, your feet are left bare; if you thrust it down to your feet, your shoulders are uncovered."

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Amber Hurdle

"I like to think of sales as the ability to gracefully persuade, not manipulate, a person or persons into a win-win situation."

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Amber Hurdle

"We are all capable of being great dreamers."

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Amber Hurdle

"If I drive myself to the brink of my ability, then I don't get stale or bored."

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Amber Hurdle

"What I do I do very well and what I don't do well I don't do at all."

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Amber Hurdle

"The size of a fish does not determine its speed."

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Amber Hurdle

"Talent can be a nice thing to have sometimes. You look good, attract attention, and if you're lucky, you make some money. Women flock to you. In that sense, having talent's preferable to having none. But talent only functions when it's supported by a tough, unyielding physical and mental focus. All it takes is one screw in your brain to come loose and fall off, or some connection in your body to break down, and your concentration vanishes, like the dew at dawn. If talent's the foundation you rely on, and yet it's so unreliable that you have no idea what's going to happen to it the next minute, what meaning does it have?"

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Amber Hurdle

"You honor me greatly and beyond my ability as an individual but in so doing you honor my colleagues also who made possible the results you have cited."

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Amber Hurdle

"Talent is its own expectation, Jim: you either live up to it or it waves a hankie, receding forever."

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Amber Hurdle

"That ability to take in your surroundings and sort out the important stuff, to be aware, to be vigilant. Then take all that information, put it together, and see if it makes sense to you."

Explore more quotes by Mike Figgis

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Mike Figgis
"In discussing the process with the actors, I made it clear to them that they could improvise but that the sum total of their improvisation needed to impart certain plot points, and schematic material."
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Mike Figgis
"I've spent my life hearing people trying to apologize for music."
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Mike Figgis
"Each film is different. Time Code was very quick - a matter of months. Miss Julie has been on my shelf as a script for some seven or eight years. But then the shooting process was very quick - 16 days."
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Mike Figgis
"The power of sound to put an audience in a certain psychological state is vastly undervalued. And the more you know about music and harmony, the more you can do with that."
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Mike Figgis
"You can do really slow movements with it, like zooming in for a minute and a half. The audience isn't aware that the camera has moved, but there's subconscious tension there."
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Mike Figgis
"You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time."
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Mike Figgis
"One of the things I love about cinema is the range."
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Mike Figgis
"I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on."
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Mike Figgis
"I want the score to have a really big voice."
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Mike Figgis
"When I do the music, I make the musicians listen to what's happening in the film. That way they treat the dialogue as if it was a singer."
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