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"So tonight to shush you how about if I say I have administrative bones to pick with God, Boo. I'll say God seems to have a kind of laid-back management style I'm not crazy about. I'm pretty much anti-death. God looks by all accounts to be pro-death. I'm not seeing how we can get together on this issue, he and I, Boo."
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Exlpore more Existence quotes
"We live in the shadows of perception. Our dull awareness gives us no useful clues as to why we are here."
"Disquietude that springs from the fundamental nature of being a human being is vaster and more encompassing than depression, which has a cause and therefore a cure."
"All life depends upon the opportunistic interplay between elemental forces, the mysterious dualities of the numinous universe. Ying and yang forces of the natural world (lightness and darkness, fire and water, expansion and contraction) create tangible dualities that are complementary, interconnected, and independent. Without the firmament in the midst of the waters, without both sunshine and water, no life forms could subsist on this rocky orb. Without the rich soil surrounded by a canopy of an illimitable sky how could we feed ourselves, how could we breathe?"
"This exists. It can be seen. It can be touched. These in pace, these dungeons, these iron hinges, these necklets, that lofty peep-hole on a level with the river's current, that box of stone closed with a lid of granite like a tomb, with this difference, that the dead man here was a living being, that soil which is but mud, that vault hole, those oozing walls, --what declaimers!"
Explore more quotes by David Foster Wallace
"To make someone an icon is to make him an abstraction, and abstractions are incapable of vital communication with living people.1010 One has only to spend a term trying to teach college literature to realize that the quickest way to kill an author's vitality for potential readers is to present that author ahead of his time as "great" or "classic." Because then the author becomes for the students like medicine or vegetables, something the authorities have declared "good for them" that they "ought to like," at which point the students' nictitating membranes come down, and everyone just goes through the requisite motions of criticism and paper-writing without feeling one real or relevant thing. It's like removing all oxygen from the room before trying to start a fire."
"Huh. Well you and I just disagree. Maybe the world just feels differently to us. This is all going back to something that isn't really clear: that avant-garde stuff is hard to read. I'm not defending it, I'm saying that stuff - this is gonna get very abstract - but there's a certain set of magical stuff that fiction can do for us. There's maybe thirteen things, of which who even knows which ones we can talk about. But one of them has to do with the sense of, the sense of capturing, capturing what the world feels like to us, in the sort of way that I think that a reader can tell "Another sensibility like mine exists." Something else feels this way to someone else. So that the reader feels less lonely."
"I never, even for a moment, doubted what they'd told me. This is why it is that adults and even parents can, unwittingly, be cruel: they cannot imagine doubt's complete absence. They have forgotten."
"Nuclear weapons and TV have simply intensified the consequences of our tendencies, upped the stakes."
"We are all dying to give our lives away to something, maybe. God or Satan, politics or grammar, topology or philately (...) To games or needles, to some other person."
"I have come gradually to understand that the liberal arts cliché about teaching you how to think is actually shorthand for a much deeper, more serious idea: learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed."
"The depressed person was in terrible andunceasing emotional pain, and the impossibility of sharing or articulating this pain was itself a component of the pain and a contributing factor in its essential horror. Despairing, then, of describing the emotional pain itself, the depressed person hoped at least to be able to express something of its context, its shape and texture, as it were-by recounting circumstances related to its etiology."
"Am I a good person? Deep down, do I even really want to be a good person, or do I only want to seem like a good person so that people (including myself) will approve of me? Is there a difference? How do I ever actually know whether I'm bullshitting myself, morally speaking?"
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