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"I think the main function of contemporary irony is to protect thespeaker from being interpreted as naive or sentimental."
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"Don't use your words to criticize, condemn, or complain; us your words to appreciate, inspire, and empower."

"The thing is that it could never again feel natural to talk to her."

"Spoken words have power beyond measure."

"Our speech is poor interpretation of our perception."

"Meetings! Meetings! Meetings!Do they ever achieve anything or do they just let a lot of hot air out of an already over inflated balloon?"

"When we talk, we express our preconceived thoughts, when we listen, we learn and give birth to new thoughts."

"They had nothing in common but the English language, and tried by its help to express what neither of them understood."

"If you need only 10 minutes to speak about a topic that requires 60 minutes, then you are a good speaker. If you need 60 minutes to speak about a topic which requires only 10 minutes, then you are a Romanian preacher."

"When you talk, use words that inspire you and others."

"He sounded absolutely miserable. "Are you ever going to speak to me?"
Explore more quotes by David Foster Wallace

"It can become an exercise in trying to get the reader to like and admire you instead of an exercise in creative art."

"The key is the ability, whether innate or conditioned, to find the other side of the rote, the picayune, the meaningless, the repetitive, the pointlessly complex. To be, in a word, unborable. If you are immune to boredom, there is literally nothing you cannot accomplish."

"It is also lonely on a level that cannot be conveyed ... If a person in physical pain has a hard time attending to anything except that pain, a clinically depressed person cannot even perceive any other person or thing as independent of the universal pain that is digesting her cell by cell."

"Lonely people tend, rather, to be lonely because they decline to bear the psychic costs of being around other humans. They are allergic to people. People affect them too strongly."

"Bliss-a-second-by-second joy and gratitude at the gift of being alive, conscious-lies on the other side of crushing, crushing boredom. Pay close attention to the most tedious thing you can find (Tax Returns, Televised Golf) and, in waves, a boredom like you've never known will wash over you and just about kill you. Ride these out, and it's like stepping from black and white into color. Like water after days in the desert. Instant bliss in every atom."

"The problem is that once the rules of art are debunked, and once the unpleasant realities the irony diagnoses are revealed and diagnosed, "then" what do we do?"

"He could do the dextral pain the same way: Abiding. Here was a second right here: he endured it. What was undealable-with was the thought of all the instants all lined up and stretching ahead, glittering. And the projected future fear. ... It's too much to think about. To Abide there. But none of it's as of now real. ... He could just hunker down in the space between each heartbeat and make each heartbeat a wall and live in there. Not let his head look over. What's unendurable is what his own head could make of it all. ... But he could choose not to listen."

"Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. ... The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years."
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