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"If I were to do this over I'd play a lot more shows before I made a record."
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"I held out a lead figurine of Hades-the little Mythomagic statue Nico had abandoned when he fled camp last winter.Nico hesitated. "I don't play that game anymore. It's for kids.""It's got four thousand attack power," I coaxed."Five thousand," Nico corrected. "But only if your opponent attacks first."I smiled. "Maybe it's okay to still be a kid once in a while."

"Hey, pretty book, why don't you lie in my lap awhile?"

"Kids. They're not tin cans or sheetrock. They're laughing machines. Wind them up and watch them go."

"When I play with my cat, who knows whether she is not amusing herself with me more than I with her."
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"I also wanted to make a record that was about other things than romance, yeah, after two years on the road singing all the songs from the first album, I got kind of tired of that."

"So I started chanting when I was nineteen, which was about twelve years ago, and it really had a huge impact on my outlook, happiness, and general creativity."

"I'd have these weird experiences where I'd just be walking down the street with this chord progression in my head, this happened more than a few times, and I'd walk home and find a fax in my machine and it would match the music in my head."

"I try to make sure that the Buddhism is more or less implicit in the music rather than explicit."

"My second record was all about big ideas - I was trying to make big statements about the culture, about life. I think in a certain way, I was a 27 year old kid with a guitar."

"So, once I've written a song, you know, I'm pretty happy with what the song is on its own terms."

"I'm fortunate I have this coterie of musicians around me to help take music to next level. Being surrounded by so much creative energy, so many creative people really feeds that creativity in me."

"The experiences of promoting my first album were really something; there is so much illusion in my environment (touring and pop music) that I wanted to clear away."
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