top of page
Quote_1.png
Jim Coleman

"As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe."

Standard 
 Customized
"As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe."

More 

Quote_1.png
Donna Grant

"I'm not going to play funk licks on a jazz album. That makes no sense."

Author Name

Personal Development

Quote_1.png
Donna Grant

"It's something that jazz has gotten away from, and it's unfortunate. Players aren't physical anymore."

Author Name

Personal Development

Quote_1.png
Donna Grant

"I don't know if I have enough guts to do a whole standard jazz record."

Author Name

Personal Development

Quote_1.png
Donna Grant

"If you play jazz, then you play with your fingers. If you're playing rock, you use a pick. There's really no rhyme or reason to that other than that's just the way it has been."

Author Name

Personal Development

Quote_1.png
Donna Grant

"I'm a freak, everything has to be totally flat when I play. Ed Will, my jazz teacher, set up everything completely flat, and then you'd tilt your snare drum away from you, so I do that too. So my snare tilts away from me."

Author Name

Personal Development

Quote_1.png
Donna Grant

"I think jazz is a wonderful learning tool."

Author Name

Personal Development

Quote_1.png
Donna Grant

"It seems that jazz is more cerebral and more mathematical in a sense."

Author Name

Personal Development

Quote_1.png
Donna Grant

"If you have to ask what jazz is, you'll never know."

Author Name

Personal Development

Quote_1.png
Donna Grant

"I've been invited to do a trio with a fantastic jazz guitarist and a harmonica player."

Author Name

Personal Development

Quote_1.png
Donna Grant

"As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe."

Author Name

Personal Development

More 

Quote_1.png
Jim Coleman
"I've had a lot of highs in my life and a lot of lows, some pivotal experiences, and in ways I feel like I've already lived a couple of lives."

Life

Quote_1.png
Jim Coleman
"With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood."

Music

Quote_1.png
Jim Coleman
"Yes, I was forced to take piano lessons for 8 years as a child."

Years

Quote_1.png
Jim Coleman
"As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe."

Jazz

Quote_1.png
Jim Coleman
"If the finest hour is now, then I'll always be in it."

Now

Quote_1.png
Jim Coleman
"I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson, it's no longer a secret."

Now

Quote_1.png
Jim Coleman
"But that's something that I like about scoring film: it makes me reach out of the parameters of my self, it requires me to do things musically that I wouldn't normally do left to my own devices."

Self

Quote_1.png
Jim Coleman
"So, through playing with Cop I realized that there is a potentially interested audience out in the world."

World

Quote_1.png
Jim Coleman
"I actually went to film school and was making experimental films for a short time, so it wasn't such a leap."

Time

Quote_1.png
Jim Coleman
"I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth."

Music

bottom of page