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Jim Coleman

"As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe."

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"As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe."

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Amber Hurdle

"I think Wes Montgomery is the greatest jazz guitarist that ever lived."

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Amber Hurdle

"Once you start collecting records you learn more and more about jazz and blues."

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Amber Hurdle

"Today jazz is still very much alive. Everywhere I go there's a new generation of musicians."

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Amber Hurdle

"I don't want to sound as if I'm doing something tremendously special. But I am a jazz fan."

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Amber Hurdle

"Jazz was uplifted by what I did."

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Amber Hurdle

"The only element of jazz that I keep is improvisation."

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Amber Hurdle

"I've played with all of the heavyweights in the modern jazz, progressive jazz movement. I've been fortunate enough to play with them, a who's who. All of those guys, I've been fortunate enough to have performed with."

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Amber Hurdle

"Jazz has an audience all around the globe and has had for many decades, I think speaking of the United States, let's say that what we need is more of an official recognition."

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Amber Hurdle

"I like a lot of electronica. I like older jazz rather than newer."

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Amber Hurdle

"I have a bachelor's and a master's in jazz."

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Jim Coleman
"In scoring, I usually start with a sound or group of sounds, searching out what feels right."
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Jim Coleman
"Unfortunately, however, I have too many desires to make a good Buddhist."
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Jim Coleman
"When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way."
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Jim Coleman
"I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson, it's no longer a secret."
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Jim Coleman
"For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool."
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Jim Coleman
"I've had a lot of highs in my life and a lot of lows, some pivotal experiences, and in ways I feel like I've already lived a couple of lives."
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Jim Coleman
"First, I'm trying to edit down about 7 hours of material which I made prior to the Cop days and find some way to get it out. This stuff is pretty out there, mostly sonic collages and tape manipulations."
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Jim Coleman
"I actually went to film school and was making experimental films for a short time, so it wasn't such a leap."
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Jim Coleman
"So, through playing with Cop I realized that there is a potentially interested audience out in the world."
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Jim Coleman
"I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing personalities, Ideally, I want to have both ways of working in my life."
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