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Leo Kottke

"Yes and for two reasons: one, I couldn't find anything to imitate at the time, and secondly because what I heard on the radio didn't bear any resemblance to what I wanted to hear on the guitar."

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"Yes and for two reasons: one, I couldn't find anything to imitate at the time, and secondly because what I heard on the radio didn't bear any resemblance to what I wanted to hear on the guitar."

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Amber Hurdle

"Always keep in mind how you can best use this time that you call life."

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Amber Hurdle

"Time interval is a strange and contradictory matter in the mind. It would be reasonable to suppose that a routine time or an eventless time would seem interminable. It should be so, but it is not. It is the dull eventless times that have no duration whatever. A time splashed with interest, wounded with tragedy, crevassed with joy - that's the time that seems long in the memory. And this is right when you think about it. Eventlessness has no posts to drape duration on. From nothing to nothing is no time at all."

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Amber Hurdle

"Opinion is like a pendulum and obeys the same law. If it goes past the centre of gravity on one side, it must go a like distance on the other; and it is only after a certain time that it finds the true point at which it can remain at rest."

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Amber Hurdle

"I'm proud of being part Cherokee, and I think it's time all us Indians felt the same way."

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Amber Hurdle

"Time is like money, the less we have of it to spare the further we make it go."

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Amber Hurdle

"Time and the hour run through the roughest day."

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Amber Hurdle

"Forget your past, live for the present day."

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Amber Hurdle

"Right now I'm having amnesia and deja vu at the same time."

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Amber Hurdle

"Time is the longest distance between two places."

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Amber Hurdle

"By the time you get to your ball, if you don't know what to do with it, try another sport."

Explore more quotes by Leo Kottke

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Leo Kottke
"There are nights when you can feel stale because you've fallen into a pattern by touring too much, but it's easy to get out of it by deliberately getting in trouble and playing yourself into a corner to then see if you can get out of it."
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Leo Kottke
"I was required by Capital to release one every six months and the fastest I could do with all my touring was every nine months, and it would spook me every time because I never had what I needed and I really didn't want to do covers."
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Leo Kottke
"It is not a mystical thing, however, it is obvious and practical and I think that what the performer does is to try to get to that point with every choice you make from the phrasing in a tune to the choice of tunes."
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Leo Kottke
"The principle element in a performance is risk, and if you're losing interest then by scaring yourself to death the audience will feel it and boy it'll wake them up."
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Leo Kottke
"It's true that the more you put in the more you get out and that has to be there I think, If you aren't really hooked on your instrument this job would be a hell on earth but if you are, it's the best."
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Leo Kottke
"It was almost two years after I left Capital that I put out the first one on Chrysalis and that was really instructive because it was no better in particular than any other record I'd done."
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Leo Kottke
"You can't really tell what the audience wants but you can tell what will keep everybodies attention in the same place."
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Leo Kottke
"I am evidence that you don't have to sell a lot of records or succeed in the usual way to have a big audience and a job."
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Leo Kottke
"That was when I found out that you could talk to them and it was a whole other way to blow your stack, and it's so much fun to perform that you want to do it again and the more you get out of it the better."
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Leo Kottke
"I think that open tunings are a trap really because it's really hard not to sound like an open tuning when your using one and that gets old as well as what you learn in one open tuning is going to stay there."
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