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"A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires."
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"You win minds through your brilliance. You win hearts through your tenderness. You win souls through your benevolence."

"Spend your time with the people who talk about the stars because to whichever place you put your mind in, you will move to that place! Stars pull you to the stars; mud pulls you to the mud!"

"What you do teaches faster, and has a lasting impression, far beyond what you say."

"He who illumines one has begun illumining the world."

"When the wind likes a path, the weeds around that path will tremble all day long!"

"To get fruits from the tree branches, shake them with hands; to get fruits from men, shake them with clever ideas!"
Explore more quotes by Hilary Mantel


"There's a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing."


"You can be merry with the king, you can share a joke with him. But as Thomas More used to say, it's like sporting with a tamed lion. You tousle its mane and pull its ears, but all the time you're thinking, those claws, those claws, those claws."


"He saw that it was the gaps that were important, the spaces between the threads which made the pattern, and not the threads themselves."


"Do you look like the photograph on your book jackets? Authors, I find, seldom do."


"Fiction leaves us so much work to do, allows the individual so much input; you have to see, you have to hear, you have to taste the madeleine, and while you are seemingly passive in your chair, you have to travel."


"Florence and Milan had given him ideas more flexible than those of people who'd stayed at home."


"Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time."
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