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"She blushed. It is a beautiful thing when a woman blushes; at that instant her body no longer belongs to her; she doesn't control it; she is at its mercy; oh, can there be anything more beautiful than the sight of a woman violated by her own body!"
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"Virtue in a woman is like pepper in the soup. A little makes for a nice seasoning. Butoverdo it, and no one wants very much of you."
"A full bosom is actually a millstone around a woman's neck. ... [Breasts] are not parts of a person but lures slung around her neck to be kneaded and twisted like magic putty or mumbled and mouthed like lolly ices."
"Are women beautiful or aren't we?"
"She is very clever, too clever for a woman. She lacks the indefinable charm of weakness. It is the feet of clay that make the gold of the image precious. Her feet are very pretty, but they are not feet of clay. White porcelain feet, if you like. They have been through the fire, and what fire does not destroy, it hardens. She has had experiences."
"Nursing does not diminish the beauty of a woman's breasts, it enhances their charm by making them look lived in and happy."
"Femininity appears to be one of those pivotal qualities that is so important no one can define it."
"A women can run, hide, play and have fun but she will shine far better when she just smiles without none."
"Being born a woman is my awful tragedy. From the moment I was conceived I was doomed to sprout breasts and ovaries rather than penis and scrotum; to have my whole circle of action, thought and feeling rigidly circumscribed by my inescapable feminity. Yes, my consuming desire to mingle with road crews, sailors and soldiers, bar room regulars--to be a part of a scene, anonymous, listening, recording--all is spoiled by the fact that I am a girl, a female always in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yet, God, I want to talk to everybody I can as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night..."
"I'm not afraid of my femininity and I'm not afraid of my sexuality."
Explore more quotes by Milan Kundera
"Art must always stand guard against stirring emotions that lie outside the aesthetic: sexual arousal, terror, disgust, shock."
"Isn't that exactly the definition of biography? An artificial logic imposed on an 'incoherent succession of images'?"
"I've always had the sense that my life is run by other people. Except for a few years after Martin died. Those were the toughest years, I was alone with my children, I had to cope by myself. Complete poverty. You won't believe this, but nowadays when I look back, those are my happiest years."
"Between the approximation of the idea and the precision of reality there was a small gap of the unimaginable, and it was this hiatus that gave him no rest."
"He thought: that's certainly how it starts. One day a person puts his legs up on a bench, then night comes and he falls asleep. That's how it happens that one fine day a person joins the tramps and turns into one of them."
"Most people willingly deceive themselves with a doubly false faith; they believe in eternal memory (of men, things, deeds, peoples) and in rectification (of deeds, errors, sins, injustice). Both are sham. The truth lies at the opposite end of the scale: everything will be forgotten and nothing will be rectified. All rectification (both vengeance and forgiveness) will be taken over by oblivion."
"We pass through the present with our eyes blindfolded. We are permitted merely to sense and guess at what we are actually experiencing. Only later when the cloth is untied can we glance at the past and find out what we have experienced and what meaning it has."
"He was looking for immensity. His life was hopelessly small, everything surrounding him was nondescript and gray. And death is absolute; it is indivisible and indissoluble. The presence of the girl was pathetic (a few caresses and a lot of meaningless words), but her absolute absence was infinitely grand; when he imagined a girl buried in a field, he suddenly discovered the nobility of pain and the grandeur of love. But it was not only the absolute but also bliss he was looking for in his dreams of death."
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