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"I wrote the script of Patton. I had this very bizarre opening where he stands up in front of an American flag and gives this speech. Ultimately, I was fired. When the script was done, they hired another writer and that script was forgotten."
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"A writer out of loneliness is trying to communicate like a distant star sending signals. He isn't telling, or teaching, or ordering. Rather, he seeks to establish a relationship with meaning, of feeling, of observing. We are lonesome animals. We spend all our live trying to be less lonesome. And one of our ancient methods is to tell a story, begging the listener to say, and to feel, "Yes, that's the way it is, or at least that's the way I feel it. You're not as alone as you thought." To finish is sadness to a writer, a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done."
"Certainly the plagiarism, and dealing with the fallout of it, was the most difficult thing I've ever faced since I started writing."
"Bad writing is more than a matter of shit syntax and faulty observation; bad writing usually arises from a stubborn refusal to tell stories about what people actually do- to face the fact, let us say, that murderers sometimes help old ladies cross the street."
"T[he rules of writing] require that the personages in a tale shall be alive, except in the case of corpses, and that always the reader shall be able to tell the corpses from the others."
"I believe the first draft of a book - even a long one - should take no more than three months. Any longer and - for me, at least - the story begins to take on an odd foreign feel, like a dispatch from the Romanian Department of Public Affairs, or something broadcast on high-band shortwave duiring a period of severe sunspot activity."
"Some people write letters, in the library."
"In the middle section of the book Mirabelle breaks into not one, but two houses near Belgravia Books. I had fun scoping these out - checking which windows looked least secure and figuring out how to scale the mews houses to the rear to get her inside. A man came out at one point, 'What are you doing?' he questioned me. 'The thing is, I'm writing a book,' I started with a smile. He waved me off, his hand as wide as a tennis racket. 'Everyone is writing a book, my dear,' he said. Between you and I, it's his house that MIrabelle ends up breaking into."
Explore more quotes by Francis Ford Coppola
"I had a heartbreaking experience when I was 9. I always wanted to be a guard. The most wonderful girl in the world was a guard. When I got polio and then went back to school, they made me a guard. A teacher took away my guard button."
"Roger Corman exploited all of the young people who worked for him, but he really gave you responsibility and opportunity. So it was kind of a fair deal."
"The stuff that I got in trouble for, the casting for The Godfather or the flag scene in Patton, was the stuff that was remembered, and was considered the good work."
"Ten Days That Shook The World, by Eisenstein, I went to see it, and I was so impressed with this film, so impressed with what cinema could do."
"You ought to love what you're doing because, especially in a movie, over time you really will start to hate it."
"When I was about 9, I had polio, and people were very frightened for their children, so you tended to be isolated. I was paralyzed for a while, so I watched television."
"Frank Capra was a prop man, I think. John Ford was a prop man. It was a little bit of a father and son thing, and you kind of worked your way up."
"I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians."
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