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"My mother once wrote a poem about rivers. They were women, she wrote. Starting out small girls, tiny streams decorated with wildflowers. They were torrents, gouging paths through sheer granite, flinging themselves off cliffs, fearless and irresistible. Later, they grew fat servicable, broad slow curves carrying commerce and sewage, but in their unconscious depths catfish gorged, grew the size of barges, and in the hundred - year storms, they rose up, forgetting the promises they made, the wedding vows, and drowned everything for miles around. Finally they gave out, birth - emptied, malarial, into a fan of swamps that met the ocean."
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"Flowers are the beautiful hairs of the Mother Spring! Don't pluck them!"
"Eagle's flight of loneliness soars so high Around its sigh, no more alone the sky Other birds remain away, clouds pass byBetween shrouds of life and haze sun rays die."
"The moon hung over the planet Earth, a dead thing over a dying thing."
"Nature is the guardian of Africa. While the sun lights the African sky in day time, the moon begs the world to help her lighting Africa in the night."
"Nature never deceives us; it is we who deceive ourselves."
"The earth is grounding while the mountains, curvaceous and sweeping, offer a blanket of refuge. Their woods are abounding in camouflage as their leaves sway about in continuous, florid dance. There is an air of invulnerability that is exclusive to the woods, which is why she's most happy among them. She doesn't mind beasts as they are preferable to humans and much less threatening; beasts, you see, although dangerous, are incapable of the enmity that permeates beyond the shade of the woods."
"The earth is a great piece of stupidity."
"Wild animals are less wild and more human than many humans of this world."
Explore more quotes by Janet Fitch
"Who am I? I am who I say I am and tomorrow someone else entirely. You are too nostalgic, you want memory to secure you, console you. The past is a bore. What matters is only oneself and what one creates from what one has learned. Imagination uses what it needs and discards the rest - where you want to erect a museum. Don't hoard the past, Astrid. Don't cherish anything. Burn it. The artist is the phoenix who burns to emerge."
"The cake had a trick candle that wouldn't go out, so I didn't get my wish. Which was just that it would always be like this, that my life could be a party just for me."
"Let me tell you a few things about regret, my darling. There is no end to it. You cannot find the beginning of the chain that brought us from there to here. Should you regret the whole chain, and the air in between, or each link separately?"
"For what is writing besides capturing thoughts that belong to all of us, so that we can recognize ourselves, undestand ourselves, and perhaps, each other. Every thoughtful book about love makes us better lovers, I think. It opens the gates of perception."
"They dream of men with gentle hands, eloquent with tenderness, fingers that brushed along a cheek, that outlined open lips in the lovers' braille. Hands that sculpted sweetness from sullen flesh, that traced breast and ignited hips, opening, kneading. Flesh becomes bread in the heat of those hands, braided and rising."
"In a perverse way, I was glad for the stitches, glad it would show, that there would be scars. What was the point in just being hurt on the inside? It should bloody well show."
"Loneliness is the human condition. Cultivate it. The way it tunnels into you allows your soul room to grow. Never expect to outgrow loneliness. Never hope to find people who will understand you, someone to fill that space. An intelligent, sensitive person is the exception, the very great exception. If you expect to find people who will understand you, you will grow murderous with disappointment. The best you'll ever do is to understand yourself, know what it is that you want, and not let the cattle stand in your way."
"The expression in her eyes was bitter as nightshade. 'You ask me about regret? Let me tell you a few things about regret, my darling. There is no end to it. You cannot find the beginning of the chain that brought us from there to here. Should you regret the whole chain, and the air between, or each link separately, as if you could uncouple them? Do you regret the beginning which ended so badly, or just the ending itself? I've given more thought to this question than you can begin to imagine."
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