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"Over and over I played her favorite Arvo Pärt, as a way of being with her; and she had only to mention recently read novel for me to grab it up hungrily, to be inside her thoughts, a sort of telepathy."
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Exlpore more Affection quotes
"You totally love him. He's your widdle snookums."
"What greater thing is there for two human souls than to feel that they are joined - to strengthen each other - to be at one with each other in silent unspeakable memories."
"(One character on another:) "Don't you know that I passionately dote on every chin on his face?"
"Um i'm happy to sit close to you and everything, but i had no idea you would like it so much,' Paris muttered."
"Matters of the heart are so incalculable!"
"I love the way she feels inthe curve of my arm. I loveher unpretentious beauty,her intelligence, her nerve.But could I ever love her?The concept of falling in loveis completely foreign, somethingI can't bring myself to accept. Her hair pillows my cheek and her hand on my leg is warm. I care about you, Conner, and I hate to see you hurting. I want to respond but can'tfind the pretty words I need."
"They were beyond the present, outside time, with no memories and no future. There was nothing but obliterating sensation, thrilling and swelling, and the sound of fabric on fabric and skin on fabric as their limbs slid across each other in this restless, sensuous wrestling. ... They moved closer, deeper and then, for seconds on end, everything stopped. Instead of an ecstatic frenzy, there was stillness. They were stilled not by the astonishing fact of arrival, but by an awed sense of return - they were face to face in the gloom, staring into what little they could see of each other's eyes, and now it was the impersonal that dropped away."
Explore more quotes by Donna Tartt
"Taking on challenging projects is the way that one grows and extends one's range as a writer, one's technical command, so I consider the time well-spent."
"Richard Papen: As it happened, I knew Gartrell. He was a bad painter and a vicious gossip, with a vocabulary composed almost entirely of obscenities, gutteral verbs, and the world "postmodernist."
"We don't like to admit it, but the idea of losing control is one that fascinates controlled people such as ourselves more than almost anything. All truly civilized people " the ancients no less than us " have civilized themselves through the wilful repression of the old, animal self."
"And I'm hoping there's some larger truth about suffering here, or at least my understanding of it - although I've come to realize that the only truths that matter to me are the ones I don't, and can't, understand. What's mysterious, ambiguous, inexplicable. What doesn't fit into a story, what doesn't have a story. Glint of brightness on a barely-there chain. Patch of sunlight on a yellow wall. The loneliness that separates every living creature from every other living creature. Sorrow inseparable from joy."
"It's a very Greek idea, and a very profound one. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to lose control completely? To throw off all the chains of being for an instant, to shatter the accident of our mortal selves?"
"Maybe that's why I tend to equate physical beauty with qualities with which it has absolutely nothing to do. I see a pretty mouth or a moody pair of eyes and imagine all sorts of deep affinities, private kinships. Never mind that half a dozen jerks are clustered round the same person, just because they've been duped by the same pair of eyes."
"Fate is cruel but maybe not random. Nature (meaning Death) always wins but that doesn't mean we have to bow and gravel to it."
"Out on the lawn, Bunny had just knocked Henry's ball about seventy feet outside the court. There was a ragged burst of laughter; faint, but clear, it floated back across the evening air. That laughter haunts me still."
"Sometimes you can do all the right things and not succeed. And that's a hard lesson of reality."
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