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Robert Rauschenberg

"The artist's job is to be a witness to his time in history."

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"The artist's job is to be a witness to his time in history."

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Amber Hurdle

"The good old days, when each idea had an owner, are gone forever."

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Amber Hurdle

"The greatest tragedy in mankind's entire history may be the hijacking of morality by religion."

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Amber Hurdle

"They were obviously headstones of graves, though the graves themselves no longer existed as either mounds or depressions; the years had leveled all. Scattered here and there, more massive blocks showed where some pompous or ambitious monument had once flung its feeble defiance at oblivion."

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Amber Hurdle

"There was something melancholic about that symbol of their nation's promise of freedom, a bell with a chipped mouth and cleft body."

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Amber Hurdle

"The United States was born in the country and moved to the city in the nineteenth century."

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Amber Hurdle

"This is no war of chieftains or of princes, of dynasties or national ambition; it is a war of peoples and of causes. There are vast numbers, not only in this Island but in every land, who will render faithful service in this war, but whose names will never be known, whose deeds will never be recorded. This is a War of the Unknown Warriors."

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Amber Hurdle

"The past is not a package one can lay away."

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Amber Hurdle

"The double-crossed, might-have-been history of my country is not the study of what actually took place here: it's the study of historians' studies. . . .Memories are their own descendants masquerading as the ancestors of the present."

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Amber Hurdle

"The whole history of the world is summed up in the fact that when nations are strong they are not always just and when they wish to be just they are no longer strong."

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Amber Hurdle

"An important part of what the state does is preserving its history."

Explore more quotes by Robert Rauschenberg

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Robert Rauschenberg
"If you don't have trouble paying the rent, you have trouble doing something else; one needs just a certain amount of trouble."
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Robert Rauschenberg
"I think a painting is more like the real world if it's made out the real world."
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Robert Rauschenberg
"So that ideas of sort of relaxed symmetry have been something for years that I have been concerned with because I think that symmetry is a neutral shape as opposed to a form of design."
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Robert Rauschenberg
"Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it."
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Robert Rauschenberg
"Pollock also... wanted one to be wrapped in the painting."
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Robert Rauschenberg
"Well, I like way downtown near the Battery. I lived down there at this time and for, I guess, the following well, this is where I moved to uptown and I've been here for four years and this is 1965."
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Robert Rauschenberg
"I always have a good reason for taking something out but I never have one for putting something in. And I don't want to, because that means that the picture is being painted predigested."
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Robert Rauschenberg
"And I think a painting has such a limited life anyway."
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Robert Rauschenberg
"And also the new excitement and variety of ways that the abstract expressionists were applying paint. You could put it on as though it were colored air and it would be painting."
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Robert Rauschenberg
"One can see that a canvas is six feet by eight feet, say, quite accurately. But you can spend two minutes and think it's five, or thirty seconds and it's just a different bed for activities there."
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