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"Better be alone than in bad company."
Author Name
Personal Development

"The most peaceable way for you, if you do take a thief, is, to let him show himself what he is and steal out of your company."
Author Name
Personal Development

"This book was company for me - I wrote these things when I was in hotels, far from where I normally live. I never intended to publish it."
Author Name
Personal Development

"A holding company is a thing where you hand an accomplice the goods while the policeman searches you."
Author Name
Personal Development

"We've played producers almost our entire lives in everything else we've created. But when working on a feature and even dealing with something like Warner Bros. or another production company, or other details that you can worry about - we definitely learned a lot."
Author Name
Personal Development

"Do not let any record company disturb your creative flow. You are not writing for the record company. You're writing for the public."
Author Name
Personal Development

"If you have a song that you think sounds like another song you should contact the publishing company and say I have a song here, let's cut a deal that lets everyone walk away feeling good."
Author Name
Personal Development

"I am not influenced by the techniques or fashions of any other motion picture company."
Author Name
Personal Development

"Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It's beyond me."
Author Name
Personal Development

"Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for."
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Personal Development
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"I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference."
Music

"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."
Action

"You're allowed to rip-off another score so close that it's ridiculous. In my opinion it's ridiculous, how closely one can just rip-off a score that happened a year or two earlier."
Opinion

"That still has to be there. And so, it's kind of an interesting question you brought up. Because, on the one hand, yeah, it'd be lovely. I certainly don't see that happening. In fact, I see the opposite happening."
Fact

"So I've learned in the past, if a company approaches me and they want something like this, or something like that that I've done and I turn them down, they're going to do it anyhow."
Company

"I'm trying to interpret the film through the director's head, but it all comes out through me. So, a composer is kind of like a psychic medium."
Film

"You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff."
Right

"I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way through that I would never be doing that again. It's just not me. I really am happy as a part-time film composer, not a full-time film composer."
Film

"Doing Tim's film is always going to be the most pleasure. Let me just put it that way. So, without drawing favorites one way or the other, getting back with him and doing Mars Attacks! was certainly a special treat."
Film

"There's kind of a cool feel that happens every now and then. I guess that feel is the thing that makes the score its own score. But, I don't know exactly what that is. So, it's hard for me to answer that question."
Now
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