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Adrian Lyne

"What I think is interesting is that the more you do, you have to invent a book of rules of what you can do and what you can't do. And the very real danger is that if your book of rules becomes a book of cliches."

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"What I think is interesting is that the more you do, you have to invent a book of rules of what you can do and what you can't do. And the very real danger is that if your book of rules becomes a book of cliches."

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Adrian Lyne
"And I think you understand a little bit more why she falls for him. In a way, watching the French do anything is a little more fun because their gestures are different. And in that way, they make everything interesting."
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Adrian Lyne
"The danger is that if you have a bunch of ideas that you forget to use."
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Adrian Lyne
"I wanted to make a movie about the arbitrary nature of love."
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Adrian Lyne
"I was watching Monster's Ball, which is a fabulous movie. It's just a little gem: beautifully shot, and shot in a way I never would have done. It made me feel very old, really, because it wasn't eccentric for its own sake, it was just very original."
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Adrian Lyne
"Obviously, in dealing with a relationship, sexuality has to be involved, and jealousy and emotions like that. And I don't know, I've always been intrigued by those emotions."
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Adrian Lyne
"So on my screenplay, on the left-hand side of the page, I will put all the ideas that refer to the scene next to it so I have some sort of pictorial reference."
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Adrian Lyne
"Their every instinct - and I have to say this is without exception - is to iron out the bumps, and It's always the bumps that are the most interesting stuff."
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Adrian Lyne
"Foxes was a movie that didn't do a lot of business but it didn't do too badly critically and eventually they offered me other things. The interesting thing was that next I tried a film called Star Man, which Michael Douglas was producing."
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Adrian Lyne
"I was speaking to Ridley Scott the other day and he makes a film every 18 months. He's amazing really."
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Adrian Lyne
"The challenge, really, on any new film is to try to avoid that and achieve a few moments that aren't cliche."

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Aberjhani

"The future is created by those who have a great imagination and the will to make it a reality by their actions."

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"The design of a book is the pattern of a reality controlled and shaped by the mind of a writer."

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"If I had waited long enough I probably never would have written anything at all since there is a tendency when you really begin to learn something about a thing not to want to write about it but rather to keep on learning about it always and at no time, unless you are very egotistical, which, of course, accounts for many books, will you be able to say: now I know all about this and will write about it."

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Aberjhani

"Skill gives you legs to jog, talent gives you legs to run, brilliance gives you legs to sprint, but genius gives you wings to fly."

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Aberjhani

"For you to make your creative work creative, you must seek creativity from the creator."

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Aberjhani

"Now go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here."

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Aberjhani

"Writing the same kind of material is no guarantee you'll be working from the same ethos so that writers from different fields are just as likely to have an understanding of each other's work as someone working in the same genre."

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"Astray from a deep sleep chronic as I write by phonics, like insomnia I will always live the onyx night for revealing, and, upon it, still I'll steal the bright light of day right away just to keep building at speeds hypersonic."

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Aberjhani

"Every time a man puts a new idea across he finds ten men who thought of it before he did - but they only thought of it."

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