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Robert Creeley

"The irony of our social group is that so often everyone feels this, but there's no company whatsoever in that feeling. Think of Pound's great emphasis, the way out is via the door."

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"The irony of our social group is that so often everyone feels this, but there's no company whatsoever in that feeling. Think of Pound's great emphasis, the way out is via the door."

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Assegid Habtewold

"Progress means advancement in the path of upliftment " in the path of enlightenment " in the path of humanitarian glory."

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Assegid Habtewold

"Never become a slave to tradition, learn to foresee new things."

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Assegid Habtewold

"Change is a quintessential element of progress. Without change, progress is non-existent."

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Assegid Habtewold

"Failure is only a step towards success."

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Assegid Habtewold

"Even a great philosophical idea when mixed with mysticism, turns into a dangerous weapon that becomes an impediment in the path of progress of developing communities."

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Assegid Habtewold

"If your country is governed by the most stupid people, it is vital for you to continue going up personally while your nation and your country is going down because your country will inevitably collapse and it will be in need of people like you, people who managed to improve themselves while everything else was falling and deteriorating!"

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Assegid Habtewold

"They say to never look back.But sometimes I do. It's gratifying to see how far I've come."

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Assegid Habtewold

"It might be like you are still far from getting there, but remember, you are closer to it than you were yesterday. Every tiny step you take counts a lot!"

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Assegid Habtewold

"You are moving forward one way or another."

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Assegid Habtewold

"The rising sun managed to peek around the vast column of smoke that forever rose from Ankh-Morpork, City of Cities, illustrating almost up to the edge of space that smoke means progress or, at least, people setting fire to things."

Explore more quotes by Robert Creeley

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Robert Creeley
"Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!"
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Robert Creeley
"The irony of our social group is that so often everyone feels this, but there's no company whatsoever in that feeling. Think of Pound's great emphasis, the way out is via the door."
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Robert Creeley
"It's as though all the terms of a family were present at one time rather than his dad and his mum. Not just a present authority, but the resident memory of what qualifies what else is the case."
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Robert Creeley
"The pattern of the narrative never of necessity wants to end, it never has to."
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Robert Creeley
"The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it."
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Robert Creeley
"First you wonder if they're separate stories, but no, they're not, they're contingent stories and they form a pattern. And you begin with some of the island as the place to which the heroine of the book returns."
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Robert Creeley
"It's the classic story form. All staying equal, or proving equal, or being equal, this will all continue, and the next time around, we'll move on to see what happened to Harry after he dove in the river, or who his friend John really was, and so on."
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Robert Creeley
"And what's fascinating in The Ten Thousand Things is that although there's time, an inexorable time of the three generations of lives, actively present, but place is the time, time doesn't really have to do with simply the human experience of it."
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Robert Creeley
"All of which was OK, as that proved then, I certainly wouldn't contradict it as a necessary sense of things."
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Robert Creeley
"Again like Williams, with the emphasis now regrettable, when a man makes a poem, makes it mind you, he takes the words as he finds them lying interrelated about him."
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