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Rachel True

"Even befor doing this film, I've always been interested in mythology."

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"Even befor doing this film, I've always been interested in mythology."

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Amber Hurdle

"I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do."

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Amber Hurdle

"We're still working out the details, but I'd be delighted to do the film. The problem at the moment is my busy schedule. Shooting on this film has been extended by a month, but I need to be in the U.S. by Dec. 20."

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Amber Hurdle

"My focus never wavered; I never accepted the film was not going to be finished."

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Amber Hurdle

"Kenya doesn't have much of an infrastructure for hosting a film."

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Amber Hurdle

"In France they spend six months training policemen, then they give them a gun and put them on the streets, and I don't know that that's enough. The film's not against the police - although I think that if someone wants to be a cop there's got to be a problem."

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Amber Hurdle

"My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture."

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Amber Hurdle

"I kinda go for the Jane Eyre type of film. I am fascinated by classics."

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Amber Hurdle

"It's the first film that I made where the director was not present under the camera, and it threw me."

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Amber Hurdle

"Most film directors do not come up with their own subjects or write their own screenplays."

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Amber Hurdle

"I think if you look at Sam Raimi and Jim Cameron, those guys know things about filmmaking that almost nobody knows anymore. They are students of film from when they handmade films themselves, you know cut films with their own hands and razor blades and tape."

Explore more quotes by Rachel True

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Rachel True
"Which is not to discount everything I've done in my past; everything I have learned tremendously from."
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Rachel True
"Which is why I felt I was truly blessed this year, with leads in two nice films, and also the luxury of being able to do a studio film and an independent afterwards was fantastic."
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Rachel True
"In the end, I play a lot of friends and I really think it's about time that some ethnic girls get out there in the lead part. So we're developing something."
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Rachel True
"And I can relate to that, because I went to an all white school, so I knew what that was like. And it was hard at the time, but anything that's difficult you learn from, don't you?"
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Rachel True
"Editing is a natural extension of the collage making. It's actually one of the few areas that women were able to excel in in the film industry from the beginning."
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Rachel True
"When you work on a movie, you just have no idea how it's going to come out; you hope it's good, but you don't really know, and you don't see it until about six or nine months afterward, and I saw it and was pretty pleased."
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Rachel True
"I'm actually developing a project so that I can have a lead."
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Rachel True
"We filmed one scene on the beach and there was definitely weird energy around, and we were followed around by a white owl to several different locations, and little things like that, or certain mishaps would happen and you'd have to wonder what that was about."
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Rachel True
"That's double-edged: it's amazing that they're bringing me in and showing people new ideas, and at the same time it's a little hard because seventy percent of the time or even higher I'm not going to get those roles."
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Rachel True
"For six months I'd do movies and make it all about me. Then the other six months, it's not about me and it doesn't matter what my hair looks like or what anything looks like."
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