top of page
Exlpore more Composer quotes

"Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries."

"I loved Hendrix. I mean, really, really loved him. As if he were one of the great classical composers. And he was. That's how I saw him."

"Physicists are more like avant-garde composers, willing to bend traditional rules... Mathematicians are more like classical composers."

"The Russian composers, especially, tricked the symphony orchestra into the kind of dynamic, rhythmic thing."

"The Western musical canon came about not merely by accumulation, but by opposition and subversion, both to the ruling powers on whom composers depended for their livelihoods and to other musics."

"I've heard though that there is a younger generation of tonal French composers who are reacting with vigour."
Explore more quotes by Brian Ferneyhough


"There would seem to be a limit, even for an art preoccupied with boundaries and transgressions, beyond which a work reaches its breaking point and becomes an actual failure, a mere experimentation."


"In my model, important interference phenomena arise when individual strata come into contact. These chaotic fluctuations are, I suppose, what my music is really 'about.'"


"Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries."


"I don't see 'lines of force' as being destructive, except to the extent that they are exclusively traceable through observance of the path of distorted material left in their wake."


"I am certainly not arguing for the de facto autonomy of the individual work, even though there is much to be said for making the attempt to see it in that light as one facet of the reception process."


"The Western musical canon came about not merely by accumulation, but by opposition and subversion, both to the ruling powers on whom composers depended for their livelihoods and to other musics."


"I frequently compose out the entire metric structure of a piece in modified cyclic form, where each cyclic revolution undergoes some form of 'variation' much as if measure lengths were concrete musical 'material.'"


"I would not say that I was, these days, a 'student' of philosophy, although in my youth I was quite deeply involved with certain aspects of the British pragmatists."


"Questioning the nature and implications of liminal instances necessarily involves failure, if only in the specifically technical sense of entering spaces where prevailing criteria of success scarcely apply."
bottom of page