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Brian Ferneyhough

"Other composers have taken this particular technique much further than I in the meantime, with the result that the Law of Diminishing Returns has begun to apply."

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"Other composers have taken this particular technique much further than I in the meantime, with the result that the Law of Diminishing Returns has begun to apply."

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Amber Hurdle

"Most of the important composers in our country are clustered in the Northeast."

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Amber Hurdle

"There are no black film composers doing the likes of Star Wars, doing the likes of E.T., doing the likes of Jurassic Park. There are none, nor will there ever be one. That ain't about to happen!"

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Amber Hurdle

"Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries."

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Amber Hurdle

"I loved Hendrix. I mean, really, really loved him. As if he were one of the great classical composers. And he was. That's how I saw him."

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Amber Hurdle

"Physicists are more like avant-garde composers, willing to bend traditional rules... Mathematicians are more like classical composers."

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Amber Hurdle

"Perhaps two million years ago the creatures of a planet in some remote galaxy faced a musical crisis similar to that which we earthly composers face today."

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Amber Hurdle

"The Russian composers, especially, tricked the symphony orchestra into the kind of dynamic, rhythmic thing."

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Amber Hurdle

"The Western musical canon came about not merely by accumulation, but by opposition and subversion, both to the ruling powers on whom composers depended for their livelihoods and to other musics."

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Amber Hurdle

"When I began, the guitar was en-closed in a vicious circle. There were no composers writing for the guitar, be-cause there were no virtuoso guitarists."

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Amber Hurdle

"I've heard though that there is a younger generation of tonal French composers who are reacting with vigour."

Explore more quotes by Brian Ferneyhough

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Brian Ferneyhough
"There would seem to be a limit, even for an art preoccupied with boundaries and transgressions, beyond which a work reaches its breaking point and becomes an actual failure, a mere experimentation."
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Brian Ferneyhough
"In my model, important interference phenomena arise when individual strata come into contact. These chaotic fluctuations are, I suppose, what my music is really 'about.'"
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Brian Ferneyhough
"Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries."
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Brian Ferneyhough
"I don't see 'lines of force' as being destructive, except to the extent that they are exclusively traceable through observance of the path of distorted material left in their wake."
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Brian Ferneyhough
"I am certainly not arguing for the de facto autonomy of the individual work, even though there is much to be said for making the attempt to see it in that light as one facet of the reception process."
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Brian Ferneyhough
"The Western musical canon came about not merely by accumulation, but by opposition and subversion, both to the ruling powers on whom composers depended for their livelihoods and to other musics."
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Brian Ferneyhough
"I frequently compose out the entire metric structure of a piece in modified cyclic form, where each cyclic revolution undergoes some form of 'variation' much as if measure lengths were concrete musical 'material.'"
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Brian Ferneyhough
"I would not say that I was, these days, a 'student' of philosophy, although in my youth I was quite deeply involved with certain aspects of the British pragmatists."
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Brian Ferneyhough
"So: we're all tired. Now what? Manuscripts written in Club Med?"
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Brian Ferneyhough
"Questioning the nature and implications of liminal instances necessarily involves failure, if only in the specifically technical sense of entering spaces where prevailing criteria of success scarcely apply."
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