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Lee Krasner

"Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced."

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"Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced."

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Amber Hurdle

"Do not waste your time on Social Questions. What is the matter with the poor is Poverty; what is the matter with the rich is Uselessness."

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Amber Hurdle

"Life is defined by time and seasons."

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Amber Hurdle

"If you want to know the value of a minute ask the person who came to the train station or airport a minute late."

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Amber Hurdle

"A realization that even if you had discovered the future, it really didn't change how you lived in the present. They were truth, but they weren't all the truth."

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Amber Hurdle

"Don't equate effective living to being busy."

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Amber Hurdle

"If you don't capture the moments, it will be gone forever."

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Amber Hurdle

"Hurry up, before there's no more night left."

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Amber Hurdle

"They say "time is money". But I want to say "time makes money". This means time is greater than money."

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Amber Hurdle

"There is an appropriate time to release somebody or to give them a break."

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Amber Hurdle

"But thoughts the slave of life, and life, Time's fool,And Time, that takes survey of all the world,Must have a stop."

Explore more quotes by Lee Krasner

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Lee Krasner
"I have never been able to understand the artist whose image never changes."
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Lee Krasner
"Well, I'd say that the beginning of this thing came through with Art of This Century, Peggy Guggenheim's, where she opened this gallery and began showing some things that caused a little talk, amongst a lot of other things."
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Lee Krasner
"People were very affected by the war. But it didn't mean you stopped painting unless you were called into the Army; then you just couldn't paint. But otherwise one continued."
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Lee Krasner
"As I say, I as an abstract artist was active politically."
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Lee Krasner
"My studio was on 9th Street between University and Broadway."
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Lee Krasner
"The procedure was that an artist got a mural and then he would have anywhere from two to ten assistants depending on the size of the mural and how many assistants he needed, or she needed."
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Lee Krasner
"The Jumble Shop would be one place where we'd sometimes accumulate down in the Village. I think it might be just a place that's unknown that was right around the corner from wherever it was that we met."
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Lee Krasner
"In the late 30s the name Pollock was totally unknown and unheard of."
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Lee Krasner
"At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you."
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Lee Krasner
"I knew de Kooning and I went to his studio so I knew about de Kooning's work. But only a little handful knew about it, you know. Maybe there were ten people that knew about it."
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