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Lee Krasner

"Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced."

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"Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced."

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Assegid Habtewold

"Time is always standing still, we are only changing."

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Personal Development

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Assegid Habtewold

"But I suppose film is distinctive because of its nature, of its being able to cut through time with editing."

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Personal Development

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Assegid Habtewold

"The time is always right, just act."

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Personal Development

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Assegid Habtewold

"We recorded that trio and it's out on the Knitting Factory label. I've got another record in the can with that group and Marc, which I'll hopefully finish some time before next summer."

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Personal Development

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Assegid Habtewold

"All times are treasureable; the times of prosperity, and times of adversity."

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Personal Development

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Assegid Habtewold

"Time is the most valuable currency so spend it wisely"

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Personal Development

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Assegid Habtewold

"In the beauty of the mornings we forget about the night; in the beauty of the night we forget about the mornings! When you meet the beauty, you drop anchor in the present time and all other times disappear from your mind!"

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Assegid Habtewold

"Because these show are live, script pages are being switched during the program and new commercial teases might be yelled in your ear with just enough time to scribble them on scrap paper before reading them."

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Personal Development

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Assegid Habtewold

"I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film."

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Assegid Habtewold

"For seven years I did very little theatre, and I have to make up some time."

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Lee Krasner
"You were told how much space so it was a matter of whether you could send in two paintings or three paintings, you know, pending where the show was being held. You did submit work to be accepted. Once you were accepted that was it. You did your own selection of what went in."

Work

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Lee Krasner
"People were very affected by the war. But it didn't mean you stopped painting unless you were called into the Army; then you just couldn't paint. But otherwise one continued."

War

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Lee Krasner
"The procedure was that an artist got a mural and then he would have anywhere from two to ten assistants depending on the size of the mural and how many assistants he needed, or she needed."

Art

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Lee Krasner
"My own image of my work is that I no sooner settle into something than a break occurs. These breaks are always painful and depressing but despite them I see that there's a consistency that holds out, but is hard to define."

Work

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Lee Krasner
"My studio was on 9th Street between University and Broadway."

Art

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Lee Krasner
"As I say, I as an abstract artist was active politically."

Art

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Lee Krasner
"In the late 30s the name Pollock was totally unknown and unheard of."

Art

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Lee Krasner
"The Jumble Shop would be one place where we'd sometimes accumulate down in the Village. I think it might be just a place that's unknown that was right around the corner from wherever it was that we met."

Memory

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Lee Krasner
"I have never been able to understand the artist whose image never changes."

Art

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Lee Krasner
"At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you."

People

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