top of page
"The difference between critics and audiences is that one is a group of humans and one is not."
Standard
Customized
More

"I find that here in the States, audiences are generally less knowledgeable, from the cognitive point of view, though they are emotionally more receptive."
Author Name
Personal Development

"But those audiences in Spain, they were just so stoned. I don't like playing to audiences like that because they just don't do anything. I'm up here with my band and we're working really hard and they are just stoned."
Author Name
Personal Development

"I also want to return to doing stand-up. I've become frightened of live audiences. This is a really telling sign that I need to go back on the comedy circuit again."
Author Name
Personal Development

"All audiences should be slightly off balance."
Author Name
Personal Development

"We were tremendously encouraged by the testing of Analyze That. Audiences loved it. They were telling us that they liked it as much as the original. We recorded the laughs in the theater."
Author Name
Personal Development

"The matinee audiences are different because they're mostly kids, a great percentage kids. So they respond to everything differently, but I understand what they do respond to."
Author Name
Personal Development

"Teaching physics at the University, and more general lecturing to wider audiences has been a major concern."
Author Name
Personal Development

"What I write is not for little girls."
Author Name
Personal Development

"With stand-up you've just got that one chance. Audiences can be quite fickle."
Author Name
Personal Development

"There was something about being in front of audiences when I was in elementary school plays that gave me a thrill. It was like the rush you get from a roller coaster drop."
Author Name
Personal Development
More

"Good writers define reality; bad ones merely restate it. A good writer turns fact into truth; a bad writer will, more often than not, accomplish the opposite."
Truth

"American critics are like American universities. They both have dull and half-dead faculties."
American

"What people really want in the theater is fantasy involvement and not reality involvement."
People

"One must let the play happen to one; one must let the mind loose to respond as it will, to receive impressions, to sense rather than know, to gather rather than immediately understand."
Mind

"I have a fine sense of the ridiculous, but no sense of humor."
Humor

"I'm not suggesting that the play is without fault; all of my plays are imperfect, I'm rather happy to say-it leaves me something to do."
Fault

"The difference between critics and audiences is that one is a group of humans and one is not."
Audience

"Sometimes it's necessary to go a long distance out of the way in order to come back a short distance correctly."
Order

"Remember one thing about democracy. We can have anything we want and at the same time, we always end up with exactly what we deserve."
Time

"I swear, if you existed I'd divorce you."
Divorce
bottom of page