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Salman Rushdie

"Now I know what a ghost is. Unfinished business, that's what."

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"Now I know what a ghost is. Unfinished business, that's what."

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Amber Hurdle

"Margo always loved mysteries. And in everything that came afterward, I could never stop thinking that maybe she loved mysteries so much that she became one."

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Amber Hurdle

"Every day, streets papered with more and more for .Reward, reward, reward.Reward for information.If you see something, say something.A paper town, a paper world: paper rustling in the airm whispering to me, hissing out a message of posion and jealousy.If you know something, do something.I'm sorry, Lena."

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Amber Hurdle

"There is something divine, mystical, magical and unexplainable in the universe that is listening and responding to each of us."

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Amber Hurdle

"To the bachelor, the language of women is mystery. In those matters, a married man is already a scholar."

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Amber Hurdle

"That was the nature of the waters. You never knew what lurked below."

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Amber Hurdle

"The more science discovers and the more comprehension it gives us of the mechanisms of existence, the more clearly does the mystery of existence itself stand out."

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Amber Hurdle

"Don't ask about my past. And never expect a future."

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Amber Hurdle

"Ronan's second secret was Adam Parrish."

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Amber Hurdle

"The primary feature of women is not a 'beauty', it's a 'mystery'."

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Amber Hurdle

"She loves mysteries so much, she became one."

Explore more quotes by Salman Rushdie

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Salman Rushdie
"Literature is where I go to explore the highest and lowest places in human society and in the human spirit, where I hope to find not absolute truth but the truth of the tale, of the imagination, and of the heart."
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Salman Rushdie
"Nothing is forever, he thought beyond closed eyelids somewhere over Asia Minor. Maybe unhappiness is the continuum through which a human life moves, and joy just a series of blips, of islands in the stream. Or if not unhappiness, then at least melancholy."
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Salman Rushdie
"Running along the bank was a white rabbit wearing a waistcoat and looking worriedly at a clock. Appearing and disappearing at various points on both banks was a dark blue British police telephone booth, out of which a perplexed-looking man holding a screwdriver would periodically emerge. A group of dwarf bandits could be seen disappearing into a hole in the sky. "Time travelers," said Nobodaddy in a voice of gentle disgust. "They're everywhere these days."
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Salman Rushdie
"Memory's truth, because memory has its own special kind. It selects, eliminates, alters, exaggerates, minimizes, glorifies, and vilifies also; but in the end it creates its own reality, its heterogeneous but usually coherent version of events; and no sane human being ever trusts someone else's version more than his own."
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Salman Rushdie
"Fury...sexual, Oedipal, political, magical, brutal....drives us to our finest heights and coarsest depths."
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Salman Rushdie
"This is going to make me sound ancient, but I remember Juhu Beach when there weren't any buildings on it. You'd go through countryside and arrive at this amazing beach. I remember driving from Delhi to the Qutab Minar through countryside. Mehrauli was a little village - that's all gone."
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Salman Rushdie
"Like everybody else, I've had relationships in which I was passionately in love but was completely miserable all the time and didn't trust the person I was in love with one inch."
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Salman Rushdie
"It seems that the right of freedom of speech that was enshrined in numerous constitutions is now under attack by religious institutions."
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Salman Rushdie
"It may be that writers in my position,exiles, or emigrants or expatriates, are haunted by some sense of loss, some urge to reclaim, to look back, even at the risk of being mutilated into pillars of salt. But if we do look back, we must do in the knowledge - which gives rise to profound uncertainties- that our physical alienation from India almost inevitably means that we will not be capable of reclaiming precisely the thing that was lost, that we will, in short, create fictions, not actual cities or villages, but invisible ones, imaginary homelands, Indias of the mind."
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Salman Rushdie
"I allowed myself the supernatural, the transcendent, because, I told myself, our love of metaphor is pre-religious, born of our need to express what is inexpressible, our dreams of otherness, of more."
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